the visit horror movie where to watch

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Two siblings become increasingly frightened by their grandparents' disturbing behavior while visiting them on vacation. Two siblings become increasingly frightened by their grandparents' disturbing behavior while visiting them on vacation. Two siblings become increasingly frightened by their grandparents' disturbing behavior while visiting them on vacation.

• M. Night Shyamalan
• Olivia DeJonge
• Ed Oxenbould
• Deanna Dunagan
• 798 User reviews
• 438 Critic reviews
• 55 Metascore
• 1 win & 14 nominations

Top cast 29

• Man on the Street

• Young Becca

• Young Tyler

• Train Passenger
• (uncredited)

• Street Walker
• Police Officer
• All cast & crew
• Production, box office & more at IMDbPro

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• Trivia M. Night Shyamalan 's lowest budgeted studio feature film.
• Goofs The amount of snow covering the landscape varies dramatically from day to day and even between scenes taking place on the same day.

Grandma : Would you mind getting inside the oven to clean it?

• Alternate versions In the FX broadcast, to keep the TV-14 rating, the defecation featured in the movie are censored. In addition, two scenes involving nudity is blurred out.
• Connections Featured in Late Night with Seth Meyers: Andy Samberg/Kevin Love/M. Night Shyamalan/Abe Laboriel Jr. (2015)
• Soundtracks Possession Written by Harry Revel Performed by Les Baxter and His Orchestra and Chorus [Theremin - Dr. Samuel Hoffman ] Courtesy of RCA Records By arrangement with Sony Music Licensing

User reviews 798

• moviewizguy
• Sep 1, 2015
• September 11, 2015 (United States)
• United States
• Los huéspedes
• 3049 Merlin Road, Chester Springs, Pennsylvania, USA (Exterior House)
• Blinding Edge Pictures
• Blumhouse Productions
• Neighborhood Film Co.
• See more company credits at IMDbPro
• $5,000,000 (estimated)
• $65,206,105
• $25,427,560
• Sep 13, 2015
• $98,450,062

Technical specs

• Runtime 1 hour 34 minutes
• Dolby Digital

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A teen and her little brother travel to meet their grandparents whose behavior soon takes a bizarre and scary turn. Olivia DeJonge, Ed Oxenbould, Deanna Dunagan, Peter McRobbie and Kathryn Hahn star. more

A teen and her little brother travel to meet their grandparents w ... More

Starring: Olivia DeJonge Ed Oxenbould Deanna Dunagan

Director: M. Night Shyamalan

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A teen and her little brother travel to meet their grandparents whose behavior soon takes a bizarre and scary turn. Olivia DeJonge, Ed Oxenbould, Deanna Dunagan, Peter McRobbie and Kathryn Hahn star.

Starring: Olivia DeJonge Ed Oxenbould Deanna Dunagan Peter McRobbie Kathryn Hahn

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What to Know

The Visit provides horror fans with a satisfying blend of thrills and laughs -- and also signals a welcome return to form for writer-director M. Night Shyamalan.

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M. Night Shyamalan

Olivia DeJonge

Ed Oxenbould

Deanna Dunagan

Peter McRobbie

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The Visit (2015) Stream and Watch Online

Watch 'the visit' online.

Yearning to watch ' The Visit ' in the comfort of your own home? Hunting down a streaming service to buy, rent, download, or view the M. Night Shyamalan-directed movie via subscription can be a huge pain, so we here at Moviefone want to do right by you. We've listed a number of streaming and cable services - including rental, purchase, and subscription options - along with the availability of 'The Visit' on each platform when they are available. Now, before we get into all the details of how you can watch 'The Visit' right now, here are some specifics about the Blumhouse Productions, Blinding Edge Pictures, Universal Pictures, dentsu mystery flick. Released September 11th, 2015, 'The Visit' stars Olivia DeJonge , Ed Oxenbould , Deanna Dunagan , Peter McRobbie The PG-13 movie has a runtime of about 1 hr 34 min, and received a user score of 63 (out of 100) on TMDb, which compiled reviews from 4,660 well-known users. Want to know what the movie's about? Here's the plot: "A brother and sister are sent to their grandparents' remote Pennsylvania farm for a week, where they discover that the elderly couple is involved in something deeply disturbing." 'The Visit' is currently available to rent, purchase, or stream via subscription on Apple iTunes, Google Play Movies, Amazon Video, Max , Microsoft Store, HBO Max Amazon Channel, Vudu, AMC on Demand, Spectrum On Demand, and YouTube .

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The Visit (2015)

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A brother and sister are sent to their grandparents' remote Pennsylvania farm for a week, where they discover that the elderly couple is involved in something deeply disturbing.

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A teen and her little brother travel to meet their grandparents whose behavior soon takes a bizarre and scary turn. Olivia DeJonge, Ed Oxenbould, Deanna Dunagan, Peter McRobbie and Kathryn Hahn star.

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Starring: Olivia DeJonge , Ed Oxenbould , Deanna Dunagan , Peter McRobbie , Kathryn Hahn , Celia Keenan-Bolger

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Watch The Visit

• 1 hr 34 min
• 6.3   (155,881)

The Visit is a 2015 horror-comedy movie directed by M. Night Shyamalan, featuring an impressive cast, including Olivia DeJonge, Ed Oxenbould, and Deanna Dunagan. The film follows the story of siblings, Rebecca and Tyler, who are sent to their grandparents' farmhouse for a week, while their mother goes on a cruise with her boyfriend. The kids have never met their grandparents because their mother had a fallout with them about 15 years ago and has been estranged ever since.

Initially, the visit seems like a fun and exciting adventure for the siblings. However, as the days progress, strange things start happening in the farmhouse, and Rebecca and Tyler become convinced that their grandparents are not who they claim to be. The characters begin to uncover a terrifying secret about their grandparents' true nature.

Throughout the movie, The Visit manages to walk the line between comedy and terror flawlessly. The writing is excellent, with well-timed humorous scenes to lighten the atmosphere before launching back into atmospheric horror. The film also provides an intelligent commentary on the human condition and how we can suppress dark parts of our past.

The acting in the movie is top-notch. Olivia DeJonge plays Rebecca with an impressive depth, portraying the character as mature and responsible while also revealing the hidden fears and anxieties that plague her.

Ed Oxenbould is excellent in the role of Tyler, providing much-needed comic relief in tense situations while also delivering a well-crafted performance that adds depth to the character.

Deanna Dunagan, who plays the grandmother, delivers a chilling performance. She is undoubtedly the star of the movie, providing one of the most memorable horror performances in recent years.

In conclusion, The Visit is a terrifying, yet entertaining movie with a fantastic story, great acting, and clever writing. It manages to find the perfect balance between humor and horror, leaving audiences gripping their seats until the very end. The Visit is a must-watch for any horror movie fan. Watch The Visit Online for an unforgettable experience.

The Visit is a 2015 horror movie with a runtime of 1 hour and 34 minutes. It has received moderate reviews from critics and viewers, who have given it an IMDb score of 6.3 and a MetaScore of 55.

• Genres Horror Mystery Thriller
• Cast Olivia DeJonge Ed Oxenbould Deanna Dunagan
• Director M. Night Shyamalan
• Release Date 2015
• MPAA Rating PG-13
• Runtime 1 hr 34 min
• Language English
• IMDB Rating 6.3   (155,881)
• Metascore 55

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Alternate Ending

Deleted scenes, the making of the visit, becca's photos, rotten tomatoes® score.

The Visit is a return to form for Shyamalan.

While Shyamalan doesn’t reinvent the wheel with “The Visit”, he does show the creative flourishes that made him a respected name and overnight success in the horror-thriller genre.

It’s all a very transparent metaphor for family reconciliation and what happens when your old wounds don’t heal.

This would be a perfect movie to kind of study because it's written really, really well and the scripting and dialogue and just the overall story structure is perfect.

M. Night Shyamalan needed people to be on his side. Thankfully, with The Visit, a found footage horror movie with more than its share of humor, he finally got me back on his side.

Shyamalan's made a lot of terrible films in a career singularly set with The Sixth Sense, but makes a decent rebound here.

The Visit is one freaky found footage frightfest.

The fear of 'The visit' is something very real, it is fear of abandonment, of not being loved. A fear far superior, by its authenticity, to any created fiction. [Full Review in Spanish]

We all know that comedy and horror are close to each other, so much so that screams can quickly transform into laughter. Shyamalan remembers this...

Shyamalan recaptures some of his earlier essence with lots of mystery, subtle creeps and moments where you'll question what exactly it is you're seeing.

Additional Info

• Genre : Horror, Thriller
• Release Date : September 11, 2015
• Languages : English
• Captions : English
• Audio Format : 5.1

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  PG-13 | Thrillers | 1 HR 34 MIN | 2015

A teen and her little brother travel to meet their grandparents whose behavior soon takes a bizarre and scary turn. Olivia DeJonge, Ed Oxenbould, Deanna Dunagan, Peter McRobbie and Kathryn Hahn star.

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The 10 scariest horror movies on netflix for this halloween season.

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PARK CITY, UT - JANUARY 24: Actress Maika Monroe from "It Follows" poses for a portrait at the ... [+] Village at the Lift Presented by McDonald's McCafe during the 2015 Sundance Film Festival on January 24, 2015 in Park City, Utah. (Photo by Larry Busacca/Getty Images)

If you’re like me, then everything changes on October 1: it’s time to watch horror movies. It’s the only genre I’ve watched so far this month, and it won’t stop until November rolls around. For any other weirdos like me, Netflix has served as a great resource for this compulsion over the years, and the streamer’s current horror line up is no exception. From atmospheric mysteries to classic serial killers to slow-burn thrillers, I put together a list of ten great movies that any fan of horror who owns a Netflix account should consider this Halloween season. So without further ado, let’s get into my picks.

The 10 Best Horror Movies On Netflix

It follows (2014).

There are few up-and-coming directors that excite me more than David Robert Mitchell, who came out of the gate swinging with his coming-0f-age ensemble comedy The Myth of the American Sleepover . Since, he’s dabbled in just about every genre, from the neo-noir mystery Under the Silver Lake to the upcoming sci-fi film Flowervale Street . But his best effort was undoubtedly made in the horror space with one of creepiest movies in years: It Follows . The movie centers on Jay (Maika Monroe), a carefree college student who finds herself cursed by a mysterious, deadly force after an innocent sexual encounter with her date. This ghostly entity takes the form of any random person and slowly walking towards its victim until it catches them, which means Jay, with the help of her friends, must run and try to figure out how to best the unstoppable monster. The eerie scares of It Follows greatly benefit from a minimalist, slow-burn approach. Its deliberate pacing sets the mood for the movie’s haunting atmosphere, and its collection of long, unbroken takes vibrate with dreamlike intensity. This gorgeous retro setting Mitchell dreamed up produces a timeless, uncanny atmosphere that feels both foreign and frightening familiar.

Ouija (2014)

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Ouija captures the excruciating desire to communicate with those you have lost—to, for one last time, establish contact with a loved one who left this mortal coil. The story centers on Laine (Olivia Cooke) and her group of friends who try to communicate with their friend Debbie (Shelley Hennig) after her sudden, tragic death—and, as expected with any good horror flick, things quickly spiral out of control into terrifying territory after they unknowingly awaken a dark, vengeful spirit. As Laine and her friends fight for their lives, they uncover disturbing secrets about the board’s past and the evil entity they summoned. While many modern horror films feel the need to color outside the lines and go for too much stylistically, Stiles White ’s Ouija wins for its embracement of a traditional horror style, relying heavily on dark, shadowy visuals and eerie set pieces to build tension, as well as classical haunted house imagery, from creaky floors to hidden rooms to unsettling portraits. This film checks all the right boxes for any lover of horror.

Under the Shadow (2016)

I’m now realizing that isolation and claustrophobia are common themes on this list, and few of the movies capture that energy better than Babak Anvari’s Under the Shadow, a psychologically trying piece of horror set in post-revolution Tehran during the Iran-Iraq war. The story follows Shideh (Narges Rashidi), a medical student who decides to stay in the city with her young daughter, Dorsa (Avin Manshadi), as the war intensifies. While her husband, Iraj (Bobby Naderi), is away on military service, a missile strikes their home, and Dorsa begins to act erratically, insisting that their home has become haunted. The neighbors, including a mute boy, warn of djinns—supernatural beings that can possess humans and steal their most valued belongings. As Shideh psychologically grapples with the evils that exist both inside and just outside her home, Under the Shadow serves as a terrifying commentary on savage war and societal repression in post-revolution Iran: the “djinn” doesn’t just represent domestic, personal fear, but also the larger political and cultural forces that suppress people like Shideh’s autonomy.

Psycho (1960)

It feels wrong to make a list of the best horror movies on Netflix and not include Psycho , what might have well been Alfred Hitchcock’s pinnacle achievement. This two-part movie has one of the most alluring structures ever, with the first part of the movie tracking Marion Crane (Janet Leigh), a secretary who impulsively steals $40,000 from her employer and flees the city. While running away, Marion books a room at the mysterious Bates Motel, which is run by a polite but nervous Norman Bates (Anthony Perkins). From there...well, I don’t want to spoil anything for those lucky enough to have never seen one of cinema’s best horror films, but things take a sharp turn in the movie’s second half as people begin to investigate Bates Motel and what’s actually going on inside the twisted head of its owner. Norman’s famous line, “We all go a little mad sometimes,” couldn’t be more apt for this subversive film that shocked audiences back in 1960. To this day, Psycho holds up, from its stark black-and-white cinematography to its tight, suspenseful editing to its iconic musical score.

Pearl (2022)

Few movie-related things have made me happier in the past few years than the return of Ti West, who gave us one of the best modern commentaries on Hollywood and the pursuit of stardom in years with his epic horror trilogy: X, Pearl and MaXXXine . For this list, we’re going to highlight that middle movie, which is really a prequel for the entire series. This gem of psychological horror centers on the titular character, a young woman named Pearl (Mia Goth) who lives on a remote 1918 Texas farm. An aspiring performer, Pearl feels trapped by her remote lifestyle, where she’s forced to care for her paralyzed father (Matthew Sunderland) by her strict, harsh mother, Ruth (Tandi Wright), while her husband, Howard (David Corenswet), serves in World War I. So when Pearl hears about an upcoming audition, she jumps at the chance, forming a romance with a local projectionist (David Corenswet) along the way. The containment and captivity starts to tear at Pearl’s psyche as she slowly spirals out of control, leading to a series of violent confrontations that speak to how blind ambition and the yearning for stardom can drive out the worst in us.

As Above, So Below (2014)

It wouldn’t be a “scariest movies list” without a found footage movie, right? So why not highlight one of the genre’s best of the past decade: As Above, So Below . Directed by John Erick Dowdle, this dimly lit horror-thriller follows Scarlett (Perdita Weeks), a scholar who is determined to discover the legendary treasure that grants eternal life, the philosopher’s stone. After discovering a clue in Iran, she enlists the help of her ex-boyfriend, George (Ben Feldman), and her cameraman, Benji (Edwin Hodge), to descend into the forbidden catacombs beneath Paris—where, well, all hell breaks loose. One of the more claustrophobic and disorienting found footage films of recent years, this labyrinthine plunge into the depths of the earth delivers a full-on sensory experience to make the catacombs as frightening as possible, with that setting serving as a metaphor for the characters' journey through their and guilt and regrets. These characters’ thirst for knowledge, their desire to cheat death ultimately becomes their downfall.

The Wailing (2016)

Of all the movies on this list, The Wailing is the one I fought the longest. I used to believe the movie was too long, too unfocused, too light on the thrills and kills. But after years of contemplation, discussion and rewatches, I’ve come to respect The Wailing as one of the finest South Korean horror movies. The film tells the story of a small South Korean village where a strange, violent illness begins to spread that causes its victims to violently lash out at their own families. Our protagonist, bumbling policeman Jong-goo (Kwak Do-won), becomes invested in stopping the outbreak when his daughter, Hyo-jin (Kim Hwan-hee), suddenly becomes possessed. Jong-goo suspects a mysterious Japanese man (Jun Kunimura) who recently moved to the area, and must decide between whether to trust a mysterious woman in white (Chun Woo-hee) or a shaman named Il-gwang (Hwang Jung-min) in his quest to save his daughter. The Wailing is scary sheerly for its incredible atmosphere, it’s ability to build a sense of horror through mystery and lack of understanding.

Alone (2020)

A lot of the best modern horror movies go unnoticed because they’re so minimalist. This cat-and-mouse thriller, in particular, musters all of its pure horror from remaining visually restrained, by placing an emphasis on both physical and psychological isolation. Directed by Jon Hyams, Alone follows Jessica (Jules Willcox), a woman grieving over the recent loss of her husband. In order to collect herself and start fresh, she takes a road trip, and while traveling along a remote mountainous highway, she comes across a menacing man (Marc Menchaca) in a Jeep who tries to run her off the road (à la Steven Spielberg’s Duel ). Despite her attempts to escape him, their paths continue to cross throughout this taut depiction of overwhelming isolation, which uses the inescapable presence of death to visualize the grieving process. This stripped-down, super-efficient tale of terror allows its tension to build slowly, prioritizes atmosphere and suspense over anything needlessly complex.

The Perfection (2018)

No joke: The Perfection is a movie I think about quite often. Like, maybe once a month? Simply because I don’t think there’s another movie like it. Directed by Richard Shephard, this psychological horror-thriller centers on Charlotte (Allison Williams), a music prodigy who abruptly stops playing the cello to care for her sick mother. Years later, she reconnects with her prestigious academy and quickly forms a romance with Lizzie (Logan Browning), the school's new star cellist. But when those two embark on a trip through rural China...well, things take a turn. In what I believe to be the best body horror film of the past decade, The Perfection uses disturbing, visceral imagery to convey the psychological (and, as you’ll see, physical ) toll of trauma and manipulation, to showcase how powerful figures use manipulation and control to exhibit their oppressive power. The final sequence of this magnificent horror flick is one of my favorite endings in years.

Backcountry (2014)

I’ll use the final slot in this list for a survival thriller that I believe doesn’t get as much love as it should. Directed by Adam MacDonald, Backcountry follows a young couple, Alex (Jeff Roop) and Jenn (Missy Peregrym), a couple that takes a camping trip in a remote Canadian forest, only to find themselves being stalked and chased by a deadly black bear. This isn’t a found footage movie, but it wins by capturing that genre’s raw, unflinching realism in its depiction of the unforgiving wilderness. The film doesn’t romanticize nature, but instead presents it as indifferent—the mark of many great horror villains, like Michael Myers—where even a simple mistake, like leaving a map behind, can lead to deadly consequences. The sudden, brutal, pure-force-of-nature bear attacks in this movie are just as scary as anything the genre’s classic killers would dream up.

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Dracula's 5-Year-Old $528 Million Box Office Success Reveals Harsh Reality For Classic Horror Character

Why mel gibson didn’t play max in fury road, this 14-year-old mystery series was the "new lost" but got unfairly canceled after season 1.

Two cornerstones of the horror genre clashed when Count Dracula and the Wolf Man came to blows in Abbott & Costello Meet the Frankenstein . Typically, Dracula occupies a world that exists independently of lycanthropy, but horror franchises have been known to mix werewolves and vampires in the past. Interestingly, this trend can be dated all the way back to the 1940s. Due to the success of Universal's horror movies , the studio started mixing its monsters together and delivering crossovers, such as Frankenstein Meets the Wolf Man , House of Frankenstein , and House of Dracula .

The latter two crossovers notably included both the Vampire King and the most iconic werewolf in pop culture, Larry Talbot a.k.a. The Wolf Man. But despite the opportunity provided by having the two monsters together in the same film, neither seized on it by pitting them against each other. But while this was disappointing, this mistake wasn't repeated by the next film to include the two cinematic icons, a horror comedy starring Bud Abbott and Lou Costello .

Dracula Fought The Wolf Man In Abbott & Costello Meet Frankenstein

Iconic versions of dracula & the wolf man faced off in the 1948 crossover.

Acting on the potential that comes with a monster crossover, Abbott & Costello Meet Frankenstein made enemies out of Dracula and the Wolf Man . The " good guy " in the fight was Lon Chaney, Jr.'s The Wolf Man, with Dracula serving as the villain of the conflict. The human alter ego of the Wolf Man, Larry Talbot, was allied with Lou Costello and Bud Abbott's characters, who found themselves in a castle with Bela Lugosi's Dracula and Frakenstein's Monster. Helping the protagonists escape from Dracula led to Talbot transforming into the Wolf Man and engaging in a brief struggle with the vampire.

Dracula hasn't starred in a box-office hit since 2018, which reveals a tough reality for the most famous vampire of all that might not be fixed soon.

The standoff between Dracula and the Wolf Man wasn't a long battle, but it was at least conclusive. Though Count Dracula is known for his immense strength, the physical superiority of the Wolf Man is undeniable in Abbott & Costello Meet Frankenstein . It's an interesting confrontation for both characters, but particularly for Dracula, considering that it's not often that the Vampire King is challenged on that level.

Dracula's Fight With The Wolf Man Was Supposed To Be A Separate Movie

It's unclear if bela lugosi or john carradine would have played dracula.

Had Universal's plans worked out differently, Abbott & Costello Meet Frankenstein's Dracula vs. Wolf Man fight might have been a rematch. The last movie that featured the two monsters, House of Dracula came together from a script originally titled Wolf Man vs. Dracula . After House of Frankenstein's success, Universal wanted to make a big-budget sequel, utilizing technicolor and centering on just two of the three monsters from its predecessor.

However, various changes to the script resulted in the idea of a Wolf Man-Dracula focused film getting rebranded as a second crossover for Dracula, the Wolf Man, and Frankenstein's Monster . Wolf Man vs. Dracula never saw the light of day, but thanks to Abbott & Costello Meet Frankenstein , a clash between the two Universal icons happened nonetheless.

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Abbott and Costello Meet Frankenstein (1948)

Abbott and Costello Meet Frankenstein is a comedy horror film that brings together the comedic duo Bud Abbott and Lou Costello with iconic Universal monsters. The film follows the misadventures of two freight handlers who find themselves entangled in a series of mishaps involving Dracula, the Wolf Man, and Frankenstein's monster.

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Five Horror Movies to Stream Now

Just in time for Halloween are new scary movies about a demon daddy, evil in the woods and ’90s television hell.

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By Erik Piepenburg

‘Mr. Crocket’

Stream it on Hulu.

If you watch only one new horror film this Halloween, make it this demented but deeply humane meditation on fathers and sins.

If Freddy Krueger and Mr. Rogers got together in the 1990s and said “Let’s make a VHS tape,” it would look like “Mr. Crocket’s World,” the song-and-dance singalong children’s show that Summer (Jerrika Hinton) pops into her VCR one day to help calm her young son, Major (Ayden Gavin), who’s struggling to cope with his father’s death.

The show’s host is Mr. Crocket (Elvis Nolasco), a wide-smiling dweeb with furry sidekicks , chirpy kid co-stars and a catchphrase song with echoes of the “Diff’rent Strokes” theme . But Mr. Crocket isn’t a boy’s best friend — he’s a soul-sucking boogeyman who kills parents, kidnaps their kids and transports those kids to the set of his show as part of a twisted quest to make sure despair never skips a generation.

The director Brandon Espy brilliantly upends Gen X children’s television conventions — “Pee-wee’s Playhouse”-like puppetry, “Electric Company” -era animation styles — to tell a fast-moving and crushing story about parenthood and inherited trauma. The protagonist is a strong mother-protector, but Espy and Carl Reid’s probing script — my favorite this year — centers on failed fathers and their failed fathers and the messes these flawed men leave behind. It’s a knockout.

‘Daddy’s Head’

Stream it on Shudder.

Benjamin Barfoot’s ice-cold supernatural thriller begins as Laura (Julia Brown) and her shy young stepson, Isaac (Rupert Turnbull), mourn the untimely death of James (Charles Aitken), the boy’s father. As much as Laura cares for Isaac, she has her own demons and doesn’t feel ready to become a single mother. To keep the boy out of foster care she agrees, despite feeling that Isaac hates her.

But Isaac has someone else watching over him: The creature who whispers to him at night in a rusty voice and lures him to a massive wooden lair in the woods. (James was an architect.) Are these conversations in Isaac’s head? Or does his father’s embrace really exist beyond a darkened threshold in the forest?

Barfoot seamlessly blends folk horror, creature feature grotesquerie and science fiction in his sinister but heartfelt examination of unresolved grief. (The cinematographer Miles Ridgway is an equally elegant storyteller.) Barfoot’s taut script calls to mind “The Babadook” but with one very big and startling difference: Mom isn’t sure she wants to be a mom, and the devil knows it.

‘I Saw the TV Glow’

Stream it on Max.

Two years ago, the writer-director Jane Schoenbrun knocked my socks off with the disturbing but profoundly poetic found footage oddity “We’re All Going to the World’s Fair.” Schoenbrun returns with this more polished but equally unnerving supernatural drama that uses nostalgia for the ’90s to drive a story about the perils of looking back.

The film is set in 1996, and centers on two young misfits — Owen (Justice Smith) and Maddy (Brigette Lundy-Paine) — who bond over their affection for “The Pink Opaque,” an “X-Files”-like show about two girls with monster-battling superpowers that aired Saturday nights on a WB-ish channel called the Young Adult Network. For those of us who found our tribe through weird television — for me it was “Tales From the Darkside” — theirs is a comfortingly familiar friendship.

But as fiction and reality blur, otherworldly dangers threaten Owen and Maddy’s kinship, and it’s there — in an uneasy fusion of recollection, sexual and gender awakening and tenderness — that this heartbreaking and visually arresting film bears terrifying fruit.

‘The Funeral’

Stream it on Screambox.

It’s a mystery why this devastating zombie drama from the Turkish writer-director Orcun Behram hasn’t made more of a splash. Now that it’s streaming, fans of international undead cinema are in for a treat.

The film begins as Cemal (Ahmet Rifat Sungar), a loner hearse driver, gets hired to deliver the body of a young woman, Zeynep (Cansu Turedi), to her funeral. The circumstances surrounding her death are shady, but the money is real. Cemal doesn’t get far before he discovers that Zeynep is actually alive, barely, and has a strange symbol carved into her chest that may have something to do with her thirst for human blood, a hankering that Cemal, sensing in Zeynep a kindred misunderstood spirit, feeds with his own body.

A less confident director might have risked stumbling into comedy territory, going for a gender-swapped “Lisa Frankenstein.” But Behram plays it mostly straight, and the result is an absurdist, ultra-gory and defiantly feminist trip. When the final stretch takes a darkly fantastical turn, it’s no spoiler to say that the funeral of the title doesn’t go as planned.

‘Come Home’

Rent or buy it on Amazon Prime Video.

Like “The Strings” and “Falcon Lake,” this indie ghost story is slow-burn horror that’s so talky, some people might not even consider it a horror movie. But it is, and it’s an unassuming doozy.

It’s set at a cabin in the Adirondacks, where Mel (Caitlin Zoz), whose family owns the property, and her new husband, Ikenna (Chinaza Uche), escape the city with another interracial couple, Arjun (Sathya Sridharan) and Taylor (Paton Ashbrook). The area is said to be haunted by a woman who summons her dead lover by calling out “come home” — a warning, not a folk tale, says Sam (Audrey Hailes), a local who, like Ikenna, is Black. When Ikenna and Arjun go missing, let’s just say it’s not to go on a hike.

The film was directed by Zoz and Nicole Pursell and written by seven people, including the actors — usually a sign of a messy, catchall script. But while the film’s racial concerns are too unclearly articulated — too many cooks, too many directions — it still kept me hooked and guessing, using time and silence to ponder ghosts and the evil unseen.

Erik Piepenburg writes a monthly horror movie streaming column. More about Erik Piepenburg

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“Teacup” – The Blood, Practical Effects and Paranoia of Peacock’s Sci-fi Horror Series [Set Visit]

Peacock’s horror series executive produced by James Wan , “ Teacup ,” assembles an impressive cast and crew with horror pedigree for a new, modern take on the sci-fi western. One that only loosely pulls from the novel that inspired it, Robert McCammon’s   Stinger , without sacrificing the horror or impressive practical effects.  

Bloody Disgusting visited the set of “Teacup” earlier this year in Atlanta, Georgia, where writer, producer, and showrunner Ian McCulloch ( Yellowstone ) detailed plans for the inaugural season of his puzzle box genre series, and the lead cast offered insight into their roles.

While McCulloch’s interpretation of Stinger offers a more scaled-back, intimate mystery, his vision is set to bring the horror in delightfully gory ways.

The plot follows a group of people on a ranch who must come together in the face of a mysterious threat in order to survive. “Teacup” boasts an impressive cast playing the rural residents who find themselves trapped in a nightmare that breeds mistrust. That includes Scott Speedman ( The Strangers ),  Yvonne Strahovski (“The Handmaid’s Tale”), and Chaske Spencer (“Jessica Jones,”  The Twilight Saga ),  Kathy Baker ,  Boris McGiver ,  Caleb Dolden ,  Emilie Bierre , and Luciano Leroux.

Scott Speedman and Yvonne Strahovski play James and Maggie Chenoweth, respectively, spouses and parents of two dealing with a personal crisis before the mysterious force arrives: Maggie has uncovered James infidelity with Valeria Shanley ( Diany Rodriguez ), the wife of Ruben Shanley ( Chaske Spencer ). 

The horror threat in “Teacup” can be anywhere, creating paranoia and mistrust when things escalate. That means that the immediacy of James and Valeria’s affair will compound the trust issues. Speedman says of his character, “James is in the middle of a crisis. He’s a good man, a good dad that has strayed from his family. We meet him at probably the worst time in his life. It’s a pretty opportune time for the other genre elements to take place.”

TEACUP — “Think About the Bubbles” Episode 101 — Pictured: (l-r) Caleb Dolden as Arlo Chenoweth, Yvonne Strahovski as Maggie Chenoweth, Emilie Bierre as Meryl Chenoweth, Scott Speedman as James Chenoweth — (Photo by: Mark Hill/Peacock)

From her character’s perspective, Strahovski tells us, “ It adds to the pressure cooker of distrust because we get to the point where you can’t trust anyone because you don’t know where this force is jumping to, and it inhabits a body, and then there’s what happened between them. So, it’s sort of ultra devastating, and it’s a really lovely journey for Maggie because we see her in these moments of control. She’s trained to be in control, too, as a medical professional. Then we do have this lovely moment; I think it’s in episode four, where you kind of see her world crumble, and her whole control just shatters and goes out the door, and that’s a really fun scene to shoot because it was an anxiety attack basically, and it happens in her clinic. We see her lose it with all this stuff that’s going on, and then she’s figured out who the affair was with at that point, too.

“So it’s this pressure cooker of everything and her world crumbling around her .”

That the central characters are grappling with a personal crisis that’s immediately followed by bizarre, preternatural circumstances threatening their very lives provides fertile ground for drama. The lingering, unresolved resentment over the affair bleeds into the paranoid setting. It adds an unexpected complexity to the characters and their interactions.

That’s something that Chaske Spencer really gravitated toward when signing onto the project. “ When I talked to Ian about the series, he said, ‘Everything’s underneath.’ And he said, ‘Your character is going to play everything close to the chest. We don’t want the audience to know what he’s thinking.’ That to me is a huge challenge because as an actor, by nature, I’m a pretty animated guy, but this character , he keeps everything in,” Spencer says of Ruben. “Everything’s underneath the surface. I’m saying a line to [Maggie] that really is not what I mean about the situation. That’s where I love the complexity of this script, and the show is that, like I said, the audience is going to notice. I don’t ever underestimate the audience. Audiences are very smart, and they’re going to see it and feel that and stuff, and I think it’s going to play very well . “

TEACUP — “You Don’t Know What It Means To Win” Episode 106 — Pictured: Chaske Spencer as Ruben Shanley — (Photo by: Mark Hill/PEACOCK)

It’s not just the Chenoweth ranch nestled at the center of the horror that puts their family on the frontlines of the mystery; it’s Maggie’s profession. The invading force comes with a host of obstacles, including a lack of electricity and tech that helps trap them in place. When the horror arrives in earnest, it’s safe to say that the characters will be in dire need of medical help. That puts Strahovski’s Maggie at the forefront. The actress tells us, “She’s a veterinarian, so I mean she’s on the farm, so it’s intertwined with the story. The animals are acting strange, which is straight up in the first episode. That gives us the first clue into what’s going on, but also, she’s the only one who is a medical professional in all of this , and as things start going horribly wrong, we need a medical professional around. Things really go sideways in a really big way, in a physical way. I will say there was one moment when I did walk on set, and I thought, wow, this is maybe the best prosthetic I have ever seen, given what happens. “

To reveal what those prosthetics are or describe what they look like would venture into spoiler territory, but it won’t take long for audiences to discover the impressive, violent demises this series has designed and Special Effects Makeup Designer Carey Jones (“Fallout, ” “The Walking Dead”) from KNB EFX Group has created. It’s not just humans, either. Set in wooded, rural Georgia, “Teacup ” won’t be kind to humans and animals alike.

While “Teacup “ focuses on the steady build of its driving mystery, it’s unafraid to get gross and spill some blood. In fact, production designer Patti Podesta keeps photos and charts of blood splatter in her office. She explains, “ I started collecting these things. I did Hannibal , the NBC Show. Part of it anyway, and I started collecting blood things then. It’s one of the conversations you have to have: blood is a color, and what color blood is ours, what viscosity is it, and how does it look?

“So, I put that up there because there is a lot of blood in this.”

TEACUP — “Think About the Bubbles” Episode 101 — Pictured: Rob Morgan as McNab — (Photo by: Mark Hill/Peacock)

How will the characters fare when it comes to the horror and gory elements? “Well, at first, she’s trying to come up with the reasonable medical explanation to all of this, and I think she is playing a bit of a game of trying to convince herself that her son has just had a concussion and that maybe would explain the weird talk that’s coming out of his mouth, but as we progress, you can’t ignore that obviously he’s acting really strangely, “ Strahovski explains of Maggie’s mindset. “And then with the appearance of another cast member, another person on the farm who has been able to enter the force field that we’re stuck in. That sort of starts the ball rolling where she realizes that this is much, much bigger than what is just going on at this property, and that this is a bigger external force, and that it’s not necessarily just even this thing that’s in the air of whatever is causing this energy field; but it’s also that people are a part of it. “

Spencer considers Ruben’s headspace, “I think he’s in denial still. He’s got a lot of other things going on. I think the main thing that really shakes him up is his marriage, which is dissolving, and I think that’s the main thing he’s more worried about. I think the other stuff is just surface until he gets more evidence of what’s going on. But right now, he’s got to try to hold on to his wife and then his family and figure this out. That’s the way I’ve been kind of playing it. I think he needs more evidence of what’s going on.”

The actor also gives insight into the first season’s timeline, adding, “ What I love about this, it’s a span of 48 hours, and for what I understand from just human condition, it takes people a good minute to actually just process everything.”

TEACUP — “My Little Lighthouse” Episode 102 — Pictured: (l-r) Holly A. Morris as Claire Kelly, Diany Rodriguez as Valeria Shanley, Kathy Baker as Ellen Chenoweth— (Photo by: Daniel McFadden/PEACOCK)

“ What I liked about it, too, is at the beginning, it’s not action-packed in the first 10 minutes, “ Speedman adds. “ It’s very foreboding, and it’s kind of that show where you feel something coming, but you’re not sure what it is. Now we’re dealing with who in the room is infected, or however you want to call it. So, that’s interesting. You’ve got these people who know and love each other, but one of us is going to attack at some point. “

It’s not just the paranoia or gory practical effects that bring the horror in “Teacup, “ but its exciting lineup of directors, too. McCulloch has enlisted the talents of E.L. Katz ( Azrael , Cheap Thrills ), Chloe Okuno ( Watcher , V/H/S/94 ), John Hyams ( Sick , Alone ), and Kevin Tancharoen (“Helstrom, “ Agents of S.H.I.E.L.D.”).

McCulloch tells us of the first two episodes, “I think the hardest job is setting the tone. Evan Katz [directed] the pilot and second episode. It’s a harder job , I think, in some ways because they’re having to set the stage for the entire series, what it looks like, what it feels like. “

While McCulloch is quick to praise his cast and crew, the feeling is mutual. Speedman credits McCulloch for him wanting to be part of the series at all. He praises the showrunner’s vision, “I thought his version of this sort of a sci-fi Western really is how I looked at it; that got me really excited. When you start to read, it is a really unique blend of family drama, which he does really well. Then you add the well-executed genre elements, and I think you do have something here. I rarely feel that or say that .”

The first two episodes of Atomic Monster and UCP’s series “Teacup “ premiere on Peacock on  Thursday, October 10,  followed by two episodes weekly through Halloween.

Horror journalist, RT Top Critic, and Critics Choice Association member. Co-Host of the Bloody Disgusting Podcast. Has appeared on PBS series' Monstrum, served on the SXSW Midnighter shorts jury, and moderated horror panels for WonderCon and SeriesFest.

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“The Witching Hour” – Watch All 3 Seasons of the Paranormal Reality Series on SCREAMBOX!

Looking for new TV terrors this Halloween season?  SCREAMBOX has just added all three seasons of the paranormal reality series “The Witching Hour” , which you can stream here .

“The Witching Hour” is an award-winning series that goes where no other paranormal show has gone before as the investigators of Argos Paranormal (Ryan Martinez, Brian Suojanen, Remso W. Martinez) will be investigating locations that the locals fear and no other paranormal show has ever dared to investigate.

“These investigators will be pushing themselves to their max limits as they investigate locations at around 3 am, also known as the witching hour when paranormal activity is believed to be at an all-time high during the night.”

Get a taste of the series below and check out all three seasons right now on SCREAMBOX .

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This Netflix Horror Reality Series Is Unlike Anything You’ve Ever Watched

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While horror reality shows are often at the risk of coming off as scripted or completely fake, Netflix's Haunted is unlike anything you've ever seen before. The pseudo-documentary series premiered in 2018 and has spanned 3 seasons since then, each one scarier than the last. The format of Haunted includes people who have experienced paranormal activities and entities, sitting down with their friends and family to recount their memories of these traumatic incidents.

From encounters with demonic entities and cults to alien abductions — each episode features a new bone-chilling tale. Sometimes, the show even addresses true-crime stories that have left lasting encounters with people who have experienced them. Haunted also has a Mexican spinoff titled Haunted: Latin America which draws on the culture’s folklore and supernatural beliefs. Since the show is about human experiences with the supernatural, it often leaves you with unclear resolutions , which only adds to the horror.

The Storytelling of ‘Haunted’ Is What Makes It Authentic

Unlike other paranormal reality shows , Haunted is not about ghost hunting or investigating haunted locations and artifacts. Instead, the show focuses on the personal aspect and aftermath of a supernatural encounter. It puts the spotlight on people who claim to have experienced events that continue to affect them to this day. While telling their stories, these individuals aren’t trying to present evidence or debunk any myths.

They dive deep into the emotional and psychological impact these events have had on them. The entire emphasis is on the storytelling and letting you experience the horror the narrators went through first-hand. What I really love about the show is that it doesn't rely on shock value to scare you, but it actually creates an eerie atmosphere with the sincerity of the story.

The Show Is Extremely Self Aware

Pseudo-documentaries are meant to blur the line between reality and fiction . These productions often present scripted events in a way that combines realistic interviews and narrative structure to engage the audience. Traditionally, the pseudo-documentary genre forces the audience to question the authenticity of the stories that are being told. That’s exactly what Haunted does! While the show claims to be about “true stories” of horror encounters, it never directly claims that the encounters themselves are subjectively true. That leaves it to the viewers to decide which story to believe.

Unlike other horror reality shows, there is no follow-up investigation or to prove the validity of the story — because that’s not what the show is about! Haunted’s decision to let the viewers make their own judgment leads you to analyze everything the storytellers say, which makes for a pretty unique viewing experience. While pseudo-documentaries sometimes fall short of capturing the essence of the story they are trying to tell, Haunted actually does a great job with its creepy music cues and visual recreations.

‘Haunted’ Would Not Be Compelling Without the Audience’s Reactions

While Haunted might not be the most bone-chilling and fear-inducing reality show out there, it brings in a rawness that you have to admire. My favorite part of the show is the audience. Instead of choosing random people for the storytellers to narrate their encounters to, the show brings in their friends, family and loved ones. This immediately adds an emotional element to the show when the stories being narrated are too intense. The dynamic between the storyteller and the audience creates an intimate "fly-on-the-wall" experience, which blurs the lines between supernatural horror and raw, personal trauma.

For example, in Season 1, Episode 2, a family recounts horrifying memories of their living with a serial killer as their father and grandfather. The story is narrated by Terrilyn, along with her nephew Jacob and sister Sadie while one of their friends listens. The episode is full of tension as the three narrators recall their memories, with Jacob talking about how he was groomed by his grandfather to become a murderer. As the story goes on, the friend has a lot of questions, which prompt the narrators to dig even deeper. As the friend asks questions, expresses her shock and shares the family’s grief with them, you begin to connect with the story on an emotional level.

The audience obviously includes all kinds of people, including individuals who might be skeptical of the stories they hear. In Season 1, Episode 1, a man named Jacob Hawkins tells a story about being haunted by a ghost called “The Woman In White.” However, his friend listening to the story is a tough audience and misses no chance to challenge the authenticity of the story. As a paranormal show that really dives deeper into the human experience, Haunted is a must-watch this spooky season.

All seasons of Haunted are available to stream on Netflix . The show has not been renewed for a fourth season as of yet.

Real people share their terrifying true stories of encounters with the paranormal. Through dramatic reenactments, each episode explores a different chilling tale, from haunted houses to demonic possessions.

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The 7 Best New Movies Streaming Free on Tubi in October 2024

Skip the subscription

Need something new to stream this month but don’t want to shell out for a subscription. Not a problem.

While traditional streamers like Netflix, Hulu and Prime Video keep hiking prices and adding ads to their paid platforms, FAST services like Tubi and Pluto TV are gaining ground by providing viewers with free options full of watch-worthy films and series. And in October, the roster is full up with Halloween-friendly movies, from spooky to downright scary.

Here’s your special spooky season edition of the best new movies to watch free on Tubi.

“The Evil Dead” (1981)

The shoestring-budget horror classic that spawned one of the most enduring and consistent horror franchises , Sam Raimi’s “Evil Dead” holds up nearly 45 years later. (Well, mostly, the infamous tree scene aside.) Starring Bruce Campbell as enduring horror icon Ash Williams, “Evil Dead” doesn’t have the snark or silliness that would come with the sequels, but it’s got every bit of the signature zeal and by-the-bootstraps gonzo filmmaking.

“Take Shelter” (2011)

What if Noah didn’t care about saving the world, and instead of building an arc, he just built his family a shelter? If someone came to us with warnings of apocalypse would we even listen or turn them into a pariah? And if a prophetic man did everything he could to save his family, could his family withstand the fallout of everything he did?

Those are the kinds of questions fired up by Jeff Nichols’ (“The Bikeriders”) excellent “Take Shelter,” which stars Michael Shannon as a loving family man plagued by visions of apocalyptic storms. It’s spooky and touching, anchored not only by the always exceptional Shannon, but an equally stellar early career Jessica Chastain performance.

“The Addams Family” (2019)

Need something spooky but not scary for the whole family? The 2019 animated “Addams Family” movie isn’t the best film adaptation (that title, of course, goes to Barry Levinson’s flawless 1991 live-action adaptation), but it is the best one you can watch on Tubi this Halloween. And it’s a pretty good time, too, with a good message about self-acceptance and laugh-out-loud visual gags sprinkled throughout. Not to mention the knockout voice cast, which includes Charlize Theron as Morticia Addams and Oscar Isaac as Gomez Addams.

“Tales From the Hood” (1995)

One of the most underrated horror anthologies, studios didn’t really know what to do with Rusty Cundieff’s “Tales From the Hood,” marketing it as a horror-comedy, when it’s really a truly horrific film with a touch of cheekiness. The film was ahead of its time in blending social commentary with horror storytelling, told across four short horror stories rooted in the Black American experience. Though the first tale is the best and, despairingly, as relevant today as it was 30 years ago, they are all worthwhile in their own right, with knockout practical effects and gripping horror tales. “Tales From the Hood”isn’t just an important film in horror history, it remains a fantastic watch.

“The Age of Adaline” (2015)

If you want Autumnal vibes but you’re not looking for anything spooky in the slightest, “The Age of Adaline” offers a supernatural romance bedecked in rich velvets, knit sweaters and pervasive fall palette . Blake Lively stars as Adaline, a not-so-young young woman who has remained in her late 20s for decades after an accident, staying to herself to prevent anyone from finding out her secret — until she meets Ellis (Michiel Huisman), falls in love and gets tangled up in some peak tear-jerker drama, the likes of which you can only get with timey-wimey antics.

Charming and emotional, from “Celeste & Jesse Forever” and prolific TV producer Lee Toland Krieger (“You,” “Chilling Adventures of Sabrina”), the film also stars Harrison Ford, Kathy Baker and Ellen Burstyn.

“30 Days of Night” (2007)

If brat “Trap” summer has you in the mood for more Josh Hartnett horror , he’s got a handful of early 2000s gems worth checking out, but “30 Days of Night” is one of the best. Adapted by “Hard Candy” and “The Twilight Saga: Breaking Dawn” director (man contains multitudes) David Slade from Steve Niles’ comic of the same name, the film stars Hartnett as Alaskan Sheriff Eben Oleson, who tries to defend his remote town from monsters during a polar winter — aka, a month-long night where vampires are free to hunt and feed without the interruption of sunlight.

Aside from the obviously inspired concept, “30 Days of Night” is one of the most outright scary vampire movies there is, with a truly terrifying performance from Danny Huston as an ancient blood-sucking menace. These vampires are fast, they’re cruel and they’re endlessly hungry, and if there’s one thing David Slade is going to do, it’s shoot the hell out of something, which means “30 Days of Night” is as spectacular to look at as it is horrific.

“Resident Evil” (2002)

Forget the rest of the franchise and forget the video games (sorry), because the original “Resident Evil” movie is a hoot in its own right as long as you can leave behind everything that came before and after it. Written and directed by Paul W.S. Anderson, who was coming off “Soldier” and “Event Horizon,” the 2002 “Resident Evil” is underrated as a smart, tightly constructed horror-thriller mystery box built around a string of thrilling set pieces, including the unforgettable laser grid sequence. Fair enough, since not much in the film franchise is known for being smart, but don’t write off the original, it remains a very fun hybrid between sci-fi thrills and good old-fashioned zombie horror.

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