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Has Tom Cruise ever won an Oscar?

• Julia Fields
• Published : 12:56 ET, May 11 2021
• Updated : 14:18 ET, May 11 2021
• Published : Invalid Date,

TOM CRUISE has received many awards and nominations for his extensive career acting career.

Cruise began acting in 1981 when he made his film debut in Endless Love. Since then, he has appeared in over 58 films.

Cruise has been nominated for three Academy Awards throughout his career.

He was nominated for Best Actor in 1997 for Jerry Maguire and in 1990 for Born On The Fourth Of July.

He was also nominated for Best Supporting Actor for his role in Magnolia in 2000.

Tom Cruise has not won any of the Academy Awards that he has been nominated for.

What awards has Tom Cruise won?

Although Cruise has not won an Oscar, he has received many other accolades for his performances in the past.

While Cruise did not win an Oscar for Jerry Maguire, Magnolia, or Born On The Fourth Of July, he did win Golden Globes for all three of his performances.

He has also won two MTV Movie Awards, a Satellite Award, a People's Choice Award, and many more.

In May 2021, Cruise announced that he will be returning his three Golden Globes to the Hollywood Foreign Press Association.

Why is Tom Cruise returning his Golden Globes?

A source close to CNN revealed that Cruise was returning his three Golden Globe awards back to the HFPA.

This comes following criticism of the HFPA regarding lack of diversity in its 87 members.

A recent investigation conducted by the Los Angeles Times revealed that the HFPA included no Black members.

The investigation also raised ethical questions about the financial benefits to some of the members.

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NBC announced that the network will not air the 2022 annual award show following the controversy.

Other actors including Mark Ruffalo and Scarlett Johansson have also spoken out against the award show and the HFPA.

Johansson even accussed the HFPA of misconduct and sexism "bordering on sexual harassment."

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Tom cruise's award history at the oscars, share this article.

With Top Gun: Maverick set to compete for the 95th Academy Awards, it’s worth wondering about its A-list star.

Tom Cruise has been a fixture in Hollywood since the the ’80s, appearing in such beloved films as the Mission: Impossible series, Risky Business , Days of Thunder , A Few Good Men , Rain Man , Minority Report and plenty more.

With Cruise nominated as a producer in the Best Picture race with T op Gun: Maverick , would he win his first Oscar if the film won the evening’s top prize?

Cruise has been nominated four times for various categories, but he’s never outright won a category.

He was nominated for Best Actor for acclaimed films like Born on the Fourth of July and Jerry Maguire , and he was nominated in Best Supporting Actor for the film Magnolia .

His producing nomination for the blockbuster Top Gun sequel would be his first Oscar win if the film indeed took home the Best Picture honor.

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• 1997 nominated individuals
• 2000 nominated individuals
• Best Supporting Actor nominated individuals
• 2023 nominated individuals
• Best Picture nominated individuals
• Individuals with 0 wins

Tom Cruise is an American film actor and producer. He has been nominated for three Academy Awards and has won three Golden Globe Awards. He started his career at age 19 in the 1981 film Taps . His first leading role was in Risky Business , released in August 1983. Cruise became a full-fledged movie star after starring in Top Gun (1986). He is well known for his role as secret agent Ethan Hunt in the Mission: Impossible film series between 1996 and 2011.

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Will Tom Cruise Ever Win an Oscar?

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At sixty-one years old, Tom Cruise is now approximately the same age as the late Paul Newman was when a younger Cruise co-starred with Newman in the 1986 drama film The Color of Money , which brought Newman his first and only competitive Academy Award win after seven previous unsuccessful nominations. However, while The Color of Money reveals a Newman who had embraced the old man persona, with gray hair, prescription glasses, and a tired body, Cruise doesn’t seem ready to make such a transition.

Indeed, as Cruise seems to be intent on maintaining the action hero persona that Cruise first cultivated in 1986 with Top Gun , which was released just several months prior to Color of Money , it’s as if Cruise exists in a time warp, and as Newman appears old beyond his years in The Color of Money , Cruise presently doesn’t appear to be a day over fifty. Accordingly, the most recent Oscar nomination that Cruise received as a producer for Top Gun: Maverick highlights the fact that it’s been over twenty years since Cruise received his last Oscar nomination for acting.

Updated January 14, 2024: This article has been updated by Jessica Peerez with more information regarding Tom Cruise's Oscar chances and the actor's Warner Bros. deal.

Tom Cruise Has Gotten Very Close to Oscar

Tom Cruise’s most recent Oscar nomination , as a producer, for Top Gun: Maverick was his fourth Oscar nomination, following his previous nominations for his performances in the films Born on the Fourth of July , Jerry Maguire , and Magnolia . Many were shocked that Cruise did not land a nomination for Best Actor for Top Gun: Maverick , as many thought the film's positive word of mouth and major box office haul, along with the perception of "saving theaters," would be enough to land him a nomination.

Cruise received his first Oscar nomination for his brilliant performance as real-life paralyzed Vietnam War veteran Ron Kovic in the acclaimed 1989 anti-war drama film Born on the Fourth of July , in which Cruise, who was twenty-six years old when filming began, portrays Kovic over a twenty-year period, beginning in Kovic’s senior year of high school. Indeed, the stark transformation Cruise undergoes throughout the film undoubtedly represents the most impressive acting achievement of Cruise’s career. However, while Cruise was considered a serious Oscar contender for Born on the Fourth of July , Cruise was defeated by Daniel Day-Lewis, who won the Oscar for Day-Lewis’ memorable performance in My Left Foot .

Cruise received his second Oscar nomination for his comedic titular performance as a love-starved sports agent in the 1996 comedy-drama film Jerry Maguire but was defeated by Geoffrey Rush from Shine , while Michael Caine’s performance in the 1999 drama film The Cider House Rules won the Best Supporting Actor Oscar over Cruise’s emotionally-charged performance as a misogynistic motivational speaker in the 1999 ensemble drama film Magnolia .

No More Risky Business

In pursuing the role of Ron Kovic in Born on the Fourth of July , Tom Cruise said that while he had already achieved major film stardom with Top Gun , he nonetheless felt the need to test himself as a dramatic actor, to essentially find out if he was more than just a pretty face and was capable of becoming a truly great film actor. Indeed, Born on the Fourth of July marked the beginning of an intensive testing period for Cruise, who had already proved that he could more than hold his own alongside Paul Newman in The Color of Money and Dustin Hoffman in Rain Man and then did the same against screen giants Jack Nicholson in A Few Good Men and Gene Hackman in The Firm .

However, while Cruise has certainly demonstrated a willingness to take physical risks since his last Oscar-nominated appearance in Magnolia and has certainly broken new technical ground in the action and science-fiction film genres over the past twenty years, Cruise has also stopped taking creative and dramatic risks, certainly compared to the 1980s and 1990s, and has stopped testing himself as an actor, as Cruise has seemingly stopped pursuing character-based film roles in favor of maintaining his lucrative standing in his now well-worn genre spaces.

Related: Top Gun Maverick: 10 Reasons it Surpasses the Original

Except for his performances as foul-mouthed Hollywood studio executive Les Grossman in the 2008 action comedy film Tropic Thunder and icy professional killer Vincent in the 2004 action thriller film Collateral , Cruise has shown an increasing unwillingness to leave his comfort zone as an actor and a star, and this has made his path to winning a competitive Oscar much more difficult. Since 2010, the actor has mainly stayed within the action genre with four Mission: Impossible films: Oblivion, Edge of Tomorrow, The Mummy, and Top Gun: Maverick . The closest thing he has done as a character drama in the past decade was American Made , which received mixed reviews from critics.

In many ways, Cruise has now prioritized box office over awards recognition, and it has not been a bad call. Following a very public fallout with Paramount Pictures in 2006, he dipped his toe into dramas like Lions for Lambs and Valkyrie , but both disappointed at the box office and also failed to land box office success. Meanwhile, Misson: Impossible became a much bigger action franchise in the 2010s as he made the death-defying stunts he was attempting part of the marketing campaign, and Top Gun: Maverick became the biggest film of his career and currently is the twelfth highest-grossing film worldwide. Cruise seems to have decided his legacy is now in being one of the last few movie stars who can bring audiences out to the theater over potentially winning an award.

A New Deal: Could It Mean An Oscar?

Broadening his horizons and kick-starting 2024, Cruise has now signed a deal with Warner Bros. As per the agreement, Cruise will be developing and producing theatrical films with Warner Bros. Discovery . The actor is set to star in both original films and franchises through the deal. As per Warner Bros. chiefs Michael De Luca and Pamela Abdy, the agreement's main intent is to take Warner Bros. back to its glory days. Cruise has also expressed his commitment to making great films together with the studio.

The deal between Cruise and Warner Bros. may also yield benefits other than great films. It may possibly pave the path to Cruise winning an Oscar. The actor's last original film was 2010's Knight and Day, in which Cruise starred alongside Cameron Diaz. Despite the reputed talent leading the film, Knight and Day did not see much success. However, with the experience the actor has gained since then, future original films could take a different route.

Related: 12 Directors That Tom Cruise Should Work With Next

The deal also provides Cruise the chance to step away from his action comfort zone and instead delve more into dramatic, theatrical work. Doing so would allow Cruise to portray himself as a truly dynamic actor with a skill set more impressive than what his action-centered films have brought viewers. However, whether Cruise chooses to do so remains to be seen.

While Cruise will likely return for Edge of Tomorrow 2 , it is curious if any of the major Warner Bros. IPs that the studio has would draw Cruise in. Fans might want Crusie to be Green Lantern in the DCU , but does he want that? As Cruise gets older and the past decade is defined by action films, maybe he is looking for a return to the character dramas of the 1990s like Jerry Maguire and A Few Good Men , which were hits with both critics and audiences without needing explosions.

The Sentimental Favorite

If Cruise chooses to stick to his tried and tested genre of films, even with the Warner Bros. deal, there is still the possibility of sentimentality bringing Cruise an Oscar. The actor has the chance of winning an honorary Oscar, which Tom Cruise, as a four-time Oscar nominee and one of the most successful actors in Hollywood history, is certainly more than qualified to receive but one has to ask: would Cruise be happy instead with receiving an honorary award?

Moreover, if Cruise does win a competitive Oscar in the future, for the same sentimental reasons that surrounded Newman’s Oscar for The Color of Money and John Wayne’s win for True Grit , would this alter Cruise’s legacy significantly or merely highlight how much more deserving Cruise was of an Oscar for his performance in Born on the Fourth of July ?

Indeed, it seemed that sentimentality might bring Cruise an Oscar nomination, if not a win, for his nostalgia-tinged performance in Top Gun: Maverick, although it did not happen. It now remains to be seen if the new deal with Warner Bros. might broaden Cruise's prospects of an Oscar. However, with the actor involved in Mission: Impossible – Dead Reckoning Part Two until 2025, it might be some time yet until we see the outcomes of Cruise's deal with Warner Bros. Now that Paramount Pictures is developing Top Gun 3 as well, that might be the Cruise's chance at getting the sentimental Oscar vote if the film can play its cards right.

Tom Cruise flies high into the awards zone

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The critical and financial success of “Top Gun: Maverick” has returned Tom Cruise, 60, to Oscar contention after some time away. A look at Cruise’s past nominations, snubs and re-entry into the awards picture:

Cruise’s past Oscar nominations — lead for “Born on the Fourth of July” and “Jerry Maguire” and supporting for “Magnolia” — came during a …

... -year span, from 1990-2000.

Cruise’s snubbed performances in “The Color of Money,” “Rain Man” and “A Few Good Men” were treated as springboards for nominated older stars Paul Newman, Dustin Hoffman and Jack Nicholson.

Newman and Hoffman won lead Oscars for their roles opposite Cruise.

Nominations for the first “Top Gun,” all below the line: editing, sound, sound effects editing, original song (“Take My Breath Away,” which won).

Times Cruise has been nominated for an action film.

$700 million+

“Top Gun: Maverick’s” domestic haul, aka the amount it took to, according to some headlines, “save theaters” in 2022.

The sequel’s Rotten Tomatoes critics’ score, another indicator of the goodwill toward it, and how things might be different for Cruise and the franchise at these Oscars.

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• What Is Cinema?

Tom Cruise Really Could Finally Win an Oscar for Top Gun: Maverick

Let’s start here: It’s entirely likely that Top Gun: Maverick will win multiple Oscars. With her ubiquitous power ballad and an Oscar already in hand, Lady Gaga is perfectly poised to steamroll the best-original-song category with “Hold My Hand.” And though there are blockbusters yet to come, including Black Panther 2 and Avatar 2, the best-sound category basically exists for the zooms and crashes of Top Gun ’s aerial spectaculars.

There’s one more honor that’s a little bit more out of reach, but irresistible to imagine for fans of both the movie and one of the oldest Oscar narratives: the overdue reward. Tom Cruise has already been celebrated as the sole savior of moviegoing, thanks to Maverick ’s incredible returns. But what if he also got a best-actor statue for his effort?

The idea was floated back when Maverick first opened, and at the time, it seemed a little fanciful. But as Maverick has continued its box office dominance, to a degree that seemed impossible for any movie about non-superpowered human beings, Cruise and his Herculean efforts to entertain the world remain difficult to ignore. Would an Oscar really be so outlandish at this point?

Hear more about this not-so-wild idea on this week’s Little Gold Men podcast.  

Yes, this is a narrative that, with a few details changed, seems to resurface every year. There was the quixotic campaign for Spider-Man: No Way Home to get a best-picture nomination, largely on the strength of its own box office success. There are the summer hits that hold out hope of being remembered when the Oscars roll around six months later, from tiny triumphs like The Farewell to the notorious case of The Dark Knight . There’s the whole mess of the #OscarsCheerMoment for the Snyder Cut , which we just cannot get into right now. But pretty much as long as there have been Oscars, there have been pushes from various corners to reward populist hits, with the somewhat persuasive argument that millions of fans can’t be all wrong.

And every once in a while, it works. Following its splashy premiere at Cannes in May, Top Gun: Maverick was compared fairly favorably to Mad Max: Fury Road, which began its own unlikely road to Oscar dominance at the same festival. Black Panther won three Oscars. Get Out, a horror movie released a full year before the ceremony, was nominated for four Oscars and won best original screenplay. When critics, audiences, and Oscar voters line up so completely, it can be genuinely thrilling—a throwback to the days when Tootsie and E.T. were the highest-grossing films of 1982 by the time they lost best picture to Gandhi.

But the Mad Max: Fury Road comparisons only went so far, even at Cannes. Top Gun: Maverick is an achievement on many levels, but not quite the same as George Miller ’s wild directorial vision, or even Fury Road ’s metaphorical resonance. ( Maverick goes out of its way to avoid any connection to real global politics, which, fair enough.) And even though Maverick is far and away the biggest box office hit of the year, cultural dominance now doesn’t mean quite the same thing that it did for E.T. The urgency to celebrate a hit, even one this big, is not likely to mean as much to the globally spread, future-minded Academy voters of the moment.

But that brings us back to Tom Cruise, the man without whom Maverick would not exist for many reasons. Nominated for three career Oscars—two for definitive leading-man roles in Born on the Fourth of July and Jerry Maguire, one for transformative supporting work in Magnolia —he’s been on quite a journey since his last nomination in 2000. On the brink of irrelevance by the time Jeremy Renner was tapped as his fresh, young colead in 2011’s Mission: Impossible—Ghost Protocol, Cruise instead wrested that franchise back into his control, building up box office clout so strong that even a long-gestating, seemingly implausible Top Gun sequel suddenly became real. His non– Mission: Impossible work—two Jack Reacher movies that barely exist, an attempt to reboot The Mummy, whatever American Made turned out to be—has been almost uniformly irrelevant, but every Ethan Hunt movie has reset the clock. Watch Tom Cruise in his element, and it is impossible not to be in awe. There is still truly no other movie star like him.

And though the physical challenges of the Mission: Impossible franchise are not the stuff Oscar nominations are made of, there’s more going on in Maverick. Cruise gets to play the lingering anguish over Goose’s death that informs Maverick’s relationship with Goose’s son ( Miles Teller ); his continuing struggle to follow orders, barely containing a smirk in the face of Jon Hamm ’s imposing admiral; even a surprisingly robust romantic subplot with Jennifer Connelly, whose chemistry with Cruise feels genuinely well-earned. The spectacle of Maverick ’s flying sequences may be the big selling point, but it’s not hard to imagine audiences returning again and again to see the bracingly emotional reunion between Cruise and Val Kilmer ’s Iceman, an almost 40-year-old, famously homoerotic tension transformed into a deep—and sad—understanding.

Maverick is not Cruise’s best performance, sure. But as a distillation of everything that has made Cruise a generation-defining star, Maverick is pretty much perfect. If the Academy wants to finally award Cruise a statue, it’s not likely there will be a better opportunity to do so.

The question, of course, is how much the Academy really wants that—and how hard Cruise is willing to work for it. Long protected by his tower of mega-fame and Scientology, Cruise would need to embark on some kind of authenticity tour for an awards campaign, different from the exhaustive work he already did to promote Maverick. It’s one thing for Cruise to fly onto an aircraft carrier or hold court in front of a crowd in Cannes, and another entirely to open up for the kind of profiles or roundtable conversations that are ever-present in modern Oscar campaigns. There’s a very, very recent precedent for this: Will Smith was more visible, and vulnerable, than he has been in years in his promotional duties for King Richard, and his carefully calibrated campaign worked beautifully (until, of course, it didn’t). The path megastars must walk in the Oscar circuit is different from the path for fresh-faced newcomers or even previous winners, but Cruise could make it all look as natural as clinging to the side of an airplane.

Many, many factors—including the slew of films that will premiere at the early fall festivals in Toronto, Telluride, and Venice—will determine Cruise’s Oscar chances, far more than the quality of his work; that, unfortunately, is always the way. And it’s possible that there’s a much easier path for him, parlaying the success of Maverick —and maybe some outrage over an Oscar snub—into a win for a juicy, more Oscar-friendly supporting role in the next year or two.

But in this period before we really know what’s on the horizon, it’s worth just floating the idea of Cruise as a serious contender. As The Hollywood Reporter ’s Scott Feinberg pointed out back in June , if Paul Newman could win for The Color of Money and John Wayne for True Grit, why not this? The reward for making a giant blockbuster is the money and the cultural impact, but every once in a while, the stars align to merit something more.

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Tom Cruise missed Best Actor, but still got his first Oscar nomination in 23 years for Top Gun: Maverick

The global superstar landed major recognition for his work in the action sequel.

The Academy didn't recognize Tom Cruise with a Best Actor nod, but the global superstar still landed a major Oscar nomination for Top Gun: Maverick anyway.

For his work as a producer on the blockbuster sequel that has grossed nearly $1.5 billion to date , the 60-year-old scored his fourth career Oscar nomination as the film appeared Tuesday morning among the Academy's 10 Best Picture nominees.

Tuesday's nomination marks the fourth time the Academy has recognized Cruise throughout his lengthy career. He was previously nominated for his work as an actor for 1989's Born on the Fourth of July , 1996's Jerry Maguire , and 1999's Magnolia .

Top Gun: Maverick , which follows Cruise as the returning Pete "Maverick" Mitchell, a U.S. Navy captain and test pilot who faces his conflicting past as he leads a new team of Top Gun graduates into the air, also earned 2023 Oscar nominations for Best Writing (Adapted Screenplay), Original Song (Lady Gaga's "Hold My Hand"), Best Sound, and Best Visual Effects.

Cruise made the Joseph Kosinski -directed movie — Paramount's long-awaited continuation of the original 1986 Top Gun film — alongside veteran Hollywood producers Jerry Bruckheimer , David Ellison, and Christopher McQuarrie, who also co-wrote the movie with Ehren Kruger and Eric Warren Singer.

The 95th Academy Awards will air Sunday, March 12, at 8 p.m. ET/5 p.m. PT on ABC. See the full list of 2023 Oscar nominations here .

Check out more from EW's The Awardis t , featuring exclusive interviews, analysis, and our podcast diving into all the highlights from the year's best films.

Related content:

• Tracking the top 2023 Oscar contenders
• Academy promises 'great legacy surprises' in 2023 Oscars preview
• See where 15 Academy Award winners keep their Oscars
• Awards season calendar 2022-2023: See dates for Emmys, Oscars, Golden Globes, and more

Related Articles

‘Everything Everywhere All at Once’ Dominates Oscars With Seven Wins, Including Best Picture (Full Winners List)

“ Everything Everywhere All at Once ” was named best picture at the 95 th Academy Awards on Sunday, capping off an improbable awards season run by winning the movie business’s highest honor.

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“Ladies, don’t ever let anyone tell you that you are past your prime,” Yeoh said. “For all the little boys and girls who look like me watching tonight, this is a beacon of hope and possibilities,” she added.

Brendan Fraser took best actor honors for his performance as a morbidly obese man trying to reconnect with his estranged daughter in “The Whale.” Fraser, once a prominent actor known for his work in popcorn flicks such as “George of the Jungle” and “The Mummy,” had spent the last decade and change away from the spotlight dealing with health and personal struggles. His win continues his remarkable resurgence.

“I started in this business 30 years ago, and this – they certainly didn’t come easily to me, but there was a facility that I didn’t appreciate at the time until it stopped,” Fraser said, acknowledging his career setbacks. He thanked his director Darren Aronofsky for “throwing me a creative lifeline and hauling me aboard.”

“My journey started on a boat,” he said. “I spent a year in a refugee camp and somehow I ended up here on Hollywood’s biggest stage. They say stories like this only happen in the movies. I cannot believe it’s happening to me. This is the American dream.”

“Dreams are something that you have to believe in,” he added. “I almost gave up on mine. To all of you out there, please keep your dreams alive.”

Jamie Lee Curtis, a veteran headliner of horror hits such as “Halloween” and the daughter of Hollywood legends Janet Leigh and Tony Curtis, won best supporting actress for her turn as an IRS inspector in “Everything Everywhere All at Once.”

Curtis dedicated her statue “to all of the people who have supported the genre movies that I’ve made for all these years” and also acknowledged her family history in entertainment, noting, “my mother and my father were both nominated for Oscars in different categories.” Choking up, she ended with: “I just won an Oscar.”

With its multiverse storyline, and off-beat touches such as a character with hot dog hands and weaponized dildos, “Everything Everywhere All at Once” represents a radical departure from the kind of staid prestige fare that historically dominated the Oscars, but the Academy of Motion Picture Arts & Sciences has changed dramatically in recent years. In the wake of the#OscarsSoWhite controversy after no actors of color were nominated in two consecutive years, the Academy made a big push in 2016 to diversify the pool of voters. In subsequent years its membership has gotten younger, and now includes more people of color and women.

The ceremony unfolded at a tense time for Hollywood. As consumers have shifted away from cable and towards subscription streaming services, major studios and their corporate parents have spent a lot of time and coin launching their own in-house Netflix challengers. The entertainment industry has also undergone a period of consolidation, with Discovery merging with WarnerMedia, Disney buying much of 21 st Century Fox and Amazon snatching MGM, deals that in the first two cases left the purchaser with a lot of debt on their balance sheet. Investors have become increasingly concerned that major media companies are over-leveraged and that the new ways that they are making money with streaming have failed to replace the old ways they once profited from such as cable subscriptions and movie ticket sales. That’s hurt the share prices of everyone from Netflix to Disney to the newly rechristened Warner Bros. Discovery, sparking a period of layoffs and cost-cutting. With a possible recession looming and studios facing tangled labor negotiations with the unions representing writers, directors and actors that could lead to strikes, there were dark clouds gathering that could have overshadowed the Oscars’ celebratory air. 

“If anyone in this theater commits an act of violence at any point during this show you will be awarded the Oscar for best actor and permitted to give a 19-minute-long speech,” Kimmel joked.

“If anything unpredictable or violent happens during the ceremony, just do what you did last year — nothing,” he added. “Sit there and do absolutely nothing. Maybe even give the assailant a hug.”

“All Quiet on the Western Front,” an adaptation of Erich Maria Remarque’s novel about trench life during World War I, picked up four Oscars, including the prize for best international features. Other major winners included “Pinocchio,” Guillermo del Toro’s stop-motion musical, which was named best animated film, as well as “Women Talking,” which earned best adapted screenplay for Sarah Polley.

“Navalny,” a look at Russian opposition leader Alexei Navalny, won best documentary. Yulia Navalny, the imprisoned politician’s wife, came to the stage after the award was announced with a message aimed at Vladimir Putin. “I’m dreaming of the day when you will be free and our country will be free,” she said.

The Oscars did opt not to wade fully into international affairs. For the second year in a row, the program turned down overtures by Ukrainian President Volodymyr Zelenskyy to address the global audience about his country’s struggles against Russia’s illegal invasion.

This year’s crop of best picture nominees included smaller films such as “Triangle of Sadness” and “Tár,” but also several popular favorites like “Top Gun: Maverick” and “Avatar: The Way of Water.” It’s unclear how much the inclusion of these blockbusters will lift this year’s viewership, but the Oscars have been on a ratings nosedive. Last year’s telecast drew an audience of 16.6 million, the second-lowest ratings in its history. In contrast, in 2014, the Oscars drew 43 million viewers, a sign of the telecast’s precipitous drop in popularity.

The Oscars made some notable cosmetic changes, subbing in a champagne-colored carpet for the usual red one. That choice, however, led to some last minute scrambling after a rainy weekend left organizers cutting up sections of the carpet that had been ruined by the bad weather and dirty shoe soles. However, some near disasters were averted. On Saturday, Ovation Hollywood, the shopping center and entertainment complex that hosts the Academy Awards, suffered power outages. By Sunday, though, the skies cleared and the only sign of flickering lights were the flashbulbs greeting the stars as they made their way into the auditorium.

Here is the full list of Oscar winners:

Best Picture

“Everything Everywhere All at Once” — Daniel Kwan, Daniel Scheinert and Jonathan Wang, producers

“All Quiet on the Western Front” — Malte Grunert, producer

“Avatar: The Way of Water” — James Cameron and Jon Landau, producers

“Elvis” — Baz Luhrmann, Catherine Martin, Gail Berman, Patrick McCormick and Schuyler Weiss, producers

“The Fabelmans” — Kristie Macosko Krieger, Steven Spielberg and Tony Kushner, producers

“Tár” — Todd Field, Alexandra Milchan and Scott Lambert, producers

“Top Gun: Maverick” — Tom Cruise, Christopher McQuarrie, David Ellison and Jerry Bruckheimer, producers

“Triangle of Sadness” — Erik Hemmendorff and Philippe Bober, producers

“Women Talking” — Dede Gardner, Jeremy Kleiner and Frances McDormand, producers

Best Lead Actress

Michelle Yeoh (“Everything Everywhere All at Once”)

Cate Blanchett (“Tár”) 

Ana de Armas (“Blonde”) 

Andrea Riseborough (“To Leslie”)

Michelle Williams (“The Fabelmans”) 

Best Lead Actor

Brendan Fraser (“The Whale”) 

Austin Butler (“Elvis”) 

Colin Farrell (“The Banshees of Inisherin”) 

Paul Mescal (“Aftersun”) 

Bill Nighy (“Living”) 

Best Director

Daniel Kwan, Daniel Scheinert (“Everything Everywhere All at Once”) 

Martin McDonagh (“The Banshees of Inisherin”) 

Steven Spielberg (“The Fabelmans”) 

Todd Field (“Tár”) 

Ruben Östlund (“Triangle of Sadness”)

Best Film Editing

“Everything Everywhere All at Once” — Paul Rogers

“The Banshees of Inisherin” — Mikkel E.G. Nielsen

“Elvis” — Matt Villa and Jonathan Redmond

“Tár” — Monika Willi

“Top Gun: Maverick” — Eddie Hamilton

Best Original Song 

“Naatu Naatu” from “RRR” — music by M.M. Keeravaani, lyric by Chandrabose  

“Applause” from “Tell It Like a Woman” — music and lyric by Diane Warren

“Hold My Hand” from “Top Gun: Maverick” — music and lyric by Lady Gaga and BloodPop

“Lift Me Up” from “Black Panther: Wakanda Forever” — music by Tems, Rihanna, Ryan Coogler and Ludwig Goransson; lyric by Tems and Ryan Coogler

“This Is a Life” from “Everything Everywhere All at Once” — music by Ryan Lott, David Byrne and Mitski; lyric by Ryan Lott and David Byrne

“Top Gun: Maverick” — Mark Weingarten, James H. Mather, Al Nelson, Chris Burdon and Mark Taylor

“All Quiet on the Western Front” — Viktor Prášil, Frank Kruse, Markus Stemler, Lars Ginzel and Stefan Korte

“Avatar: The Way of Water” — Julian Howarth, Gwendolyn Yates Whittle, Dick Bernstein, Christopher Boyes, Gary Summers and Michael Hedges

“The Batman” — Stuart Wilson, William Files, Douglas Murray and Andy Nelson

“Elvis” — David Lee, Wayne Pashley, Andy Nelson and Michael Keller

Best Adapted Screenplay

“Women Talking” — Sarah Polley

“All Quiet on the Western Front” — Edward Berger, Lesley Paterson and Ian Stokell

“Living” — Kazuo Ishiguro

“Top Gun: Maverick” — screenplay by Ehren Kruger, Eric Warren Singer and Christopher McQuarrie; story by Peter Craig and Justin Marks

Best Original Screenplay

“Everything Everywhere All at Once” — Daniel Kwan and Daniel Scheinert

“The Banshees of Inisherin” — Martin McDonagh

“The Fabelmans” — Steven Spielberg and Tony Kushner

“Tár” — Todd Field

“Triangle of Sadness” — Ruben Östlund

Best Visual Effects

“Avatar: The Way of Water” — Joe Letteri, Richard Baneham, Eric Saindon and Daniel Barrett

“All Quiet on the Western Front” — Frank Petzold, Viktor Müller, Markus Frank and Kamil Jafar

“The Batman” — Dan Lemmon, Russell Earl, Anders Langlands and Dominic Tuohy

“Black Panther: Wakanda Forever” — Geoffrey Baumann, Craig Hammack, R. Christopher White and Dan Sudick

“Top Gun: Maverick” — Ryan Tudhope, Seth Hill, Bryan Litson and Scott R. Fisher

Best Original Score 

“All Quiet on the Western Front” — Volker Bertelmann

“Babylon” — Justin Hurwitz

“The Banshees of Inisherin” — Carter Burwell

“Everything Everywhere All at Once” — Son Lux

“The Fabelmans” — John Williams

Best Production Design 

“All Quiet on the Western Front” — production design by Christian M. Goldbeck, set decoration by Ernestine Hipper

“Avatar: The Way of Water” — production design by Dylan Cole and Ben Procter, set decoration by Vanessa Cole

“Babylon” — production design by Florencia Martin, set decoration by Anthony Carlino

“Elvis” — production design by Catherine Martin and Karen Murphy, set decoration by Bev Dunn

“The Fabelmans” — production design by Rick Carter, set decoration by Karen O’Hara

Best Animated Short Film

“The Boy, the Mole, the Fox and the Horse” — Charlie Mackesy and Matthew Freud

“The Flying Sailor” — Amanda Forbis and Wendy Tilby

“Ice Merchants” — João Gonzalez and Bruno Caetano

“My Year of Dicks” — Sara Gunnarsdóttir and Pamela Ribon

“An Ostrich Told Me the World Is Fake and I Think I Believe It” — Lachlan Pendragon

Best Documentary Short Film 

“The Elephant Whisperers” — Kartiki Gonsalves and Guneet Monga

“Haulout” — Evgenia Arbugaeva and Maxim Arbugaev

“How Do You Measure a Year?” — Jay Rosenblatt

“The Martha Mitchell Effect” — Anne Alvergue and Beth Levison

“Stranger at the Gate” — Joshua Seftel and Conall Jones

Best International Feature Film 

“All Quiet on the Western Front” (Germany) 

“Argentina, 1985” (Argentina) 

“Close” (Belgium)

“EO” (Poland) 

“The Quiet Girl” (Ireland) 

Best Costume Design 

“Black Panther: Wakanda Forever” — Ruth E. Carter

“Babylon” — Mary Zophres

“Everything Everywhere All at Once” — Shirley Kurata

“Mrs. Harris Goes to Paris” — Jenny Beavan

Best Makeup and Hairstyling 

“The Whale” — Adrien Morot, Judy Chin and Anne Marie Bradley

“All Quiet on the Western Front” — Heike Merker and Linda Eisenhamerová

“The Batman” — Naomi Donne, Mike Marino and Mike Fontaine

“Black Panther: Wakanda Forever” — Camille Friend and Joel Harlow

“Elvis” — Mark Coulier, Jason Baird and Aldo Signoretti

Best Cinematography 

“All Quiet on the Western Front” — James Friend

“Bardo, False Chronicle of a Handful of Truths” — Darius Khondji

“Elvis” — Mandy Walker

“Empire of Light” — Roger Deakins

“Tár” — Florian Hoffmeister

Best Live Action Short

“An Irish Goodbye” — Tom Berkeley and Ross White

“Ivalu” — Anders Walter and Rebecca Pruzan

“Le Pupille” — Alice Rohrwacher and Alfonso Cuarón

“Night Ride” — Eirik Tveiten and Gaute Lid Larssen

“The Red Suitcase” — Cyrus Neshvad

Best Documentary Feature Film 

“Navalny” — Daniel Roher, Odessa Rae, Diane Becker, Melanie Miller and Shane Boris

“All That Breathes” — Shaunak Sen, Aman Mann and Teddy Leifer

“All the Beauty and the Bloodshed” — Laura Poitras, Howard Gertler, John Lyons, Nan Goldin and Yoni Golijov

“Fire of Love” — Sara Dosa, Shane Boris and Ina Fichman

“A House Made of Splinters” — Simon Lereng Wilmont and Monica Hellström

Best Supporting Actress

Jamie Lee Curtis (“Everything Everywhere All at Once”)

Angela Bassett (“Black Panther: Wakanda Forever”) 

Hong Chau (“The Whale”) 

Kerry Condon (“The Banshees of Inisherin”)  

Stephanie Hsu (“Everything Everywhere All at Once”)

Best Supporting Actor

Ke Huy Quan (“Everything Everywhere All at Once”) 

Brendan Gleeson (“The Banshees of Inisherin”) 

Brian Tyree Henry (“Causeway”) 

Judd Hirsch (“The Fabelmans”)

Barry Keoghan (“The Banshees of Inisherin”) 

Best Animated Feature Film 

“Guillermo del Toro’s Pinocchio” — Guillermo del Toro, Mark Gustafson, Gary Ungar and Alex Bulkley

“Marcel the Shell With Shoes On” — Dean Fleischer Camp, Elisabeth Holm, Andrew Goldman, Caroline Kaplan and Paul Mezey

“Puss in Boots: The Last Wish” — Joel Crawford and Mark Swift

“The Sea Beast” — Chris Williams and Jed Schlanger

“Turning Red” — Domee Shi and Lindsey Collins

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• FC ORIGINALS

Tom Cruise has done everything from making killer cocktails to climbing the world’s tallest building. In a career spanning more than 40 years, Cruise has somehow still not only maintained his relevancy but also successfully carried his movie-star status.

Cruise is one of the highest actors in Hollywood today, with his films bringing in more than $11.5 billion worldwide. After the lull of Covid-19, he was credited with saving cinema with ‘ Top Gun: Maverick. ‘ With his ‘ Top Gun’ sequel, he brought the audience back to theatres after the global pandemic. Apart from a gigantic career, he has many accolades to show for it. But has he won an Oscar?

Related: Tom Cruise Plays “No Part” In The Life Of His 16-Year-Old Daughter Suri

Tom Cruise’s Tryst With Oscars

Despite a phenomenal career, Tom Cruise hasn’t won an Oscar. The ‘ Top Gun ‘ star has never been able to wrap his hands around the golden statuette. When it comes to winning the Academy Awards, Cruise has never been the groom but the groomsman on four occasions. He got his first Best Actor Oscar nomination for playing Sergeant Ron Kovic in Oliver Stone’s ‘ Born On The Fourth Of July .’ His second Best Actor nomination came from playing the titular role in Cameron Crowe’s sports drama ‘ Jerry Maguire .’

His next Oscar nod would come three years later for Paul Thomas Anderson’s ensemble drama ‘ Magnolia .’ He played Frank T.J. Mackey, a flamboyant pick-up artist teaching men the art of seduction. It is considered to many his best acting role to date. As a producer on ‘ Top Gun: Maverick ,’ he was nominated for Best Picture this year. He was absent from the 2023 ceremony.

In Case You Missed: “He Should’ve Been There”: David Letterman Thinks Tom Cruise Shouldn’t Have Skipped Oscars

Tom Cruise: Honors And Achievements

Not having an Academy Award doesn’t diminish Tom Cruise’s career. He has many accolades and a movie star status to go on. Along with the Oscars, Cruise has been nominated for Golden Globes on eight occasions. He has won thrice for ‘ Born On The Fourth Of July ,’ ‘ Jerry Maguire ,’ and ‘ Magnolia .’ However, the 60-year-old movie star returned all his Golden Globes to Hollywood Foreign Press in 2021.

Tom Cruise also won the People’s Choice Award in 1994 for Favorite Actor in a Dramatic Motion Picture for ‘ The Firm .’ He was also nominated for a BAFTA for Best Actor in a Leading Role in 1991 for ‘ Born On The Fourth Of July .’ He was honored at the 2022 Cannes Film Festival with Honorary Palme d’Or for achievement in film .

You Might Also Like To Read: Why Did Tom Cruise Boycott Golden Globe Awards?

“It’s Just Really Hard For Me Because He’s My Family”: DWTS Star Cheryl Burke Reacts To Artem Chigvintsev’s Arrest

Mark wahlberg rejected a role in ‘brokeback mountain’ as he was “creeped out” by its graphic gay romance, “if you ask questions like that, you’re f**ked”: how tom cruise’s curiosity cost him a role in tim burton’s ‘edward scissorhands’, trending on fc, kelly monaco to exit ‘general hospital’ after 21 iconic years as sam mccall, “i don’t care if it’s good”: quentin tarantino explains why he will not watch ‘toy story 4’ despite loving the franchise, batman has a long list of supercool powers, being rich is not the only of them, christopher reeve revealed the seven words his wife said that saved his life after paralysing accident.

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Oscars: complete winners list.

'Everything Everywhere All at Once' won best picture; acting nods for Michelle Yeoh, Ke Huy Quan and Jamie Lee Curtis; and writing and directing Oscars for Daniel Kwan and Daniel Scheinert. Brendan Fraser was named best actor for 'The Whale.'

By Kimberly Nordyke

Kimberly Nordyke

Managing Editor, Digital

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Everything Everywhere All at Once was named best picture at the 95th annual Academy Awards , which were handed out Sunday night.

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Elsewhere, Brendan Fraser was named best actor in a leading role for The Whale. German film All Quiet on the Western Front also scooped up four awards, including Oscars for best original score, production design, cinematography and international feature. Avatar: The Way of Water won best visual effects, while Top Gun: Maverick won the sound Oscar.

Navalny won best documentary feature, while Black Panther: Wakanda Forever won for its costume design. Sarah Polley won the award for best adapted screenplay for Women Talking , and Guillermo del Toro’s Pinocchio was named best animated film.

Winners in all 23 categories were revealed at the ceremony, which took place at the Dolby Theatre at Ovation Hollywood and aired live coast to coast on ABC. (It also streamed online and around the world .)

Jimmy Kimmel hosted the 2023 Oscars, his third time emceeing the awards show, with televised trophyfest vets Glenn Weiss and Ricky Kirshner producing. (See the star-studded Oscars red carpet arrivals .)

All of this year’s best original song nominees performed during the show. Lady Gaga , sang “Hold My Hand” from Top Gun: Maverick ; Rihanna took the stage for a rendition of her first Oscar-nominated tune, “Lift Me Up,” from Black Panther: Wakanda Forever. Rahul Sipligunj and Kaala Bhairava performed “Naatu Naatu” from RRR , which won best original song . David Byrne, Stephanie Hsu and Son Lux sang “This Is a Life” from Everything Everywhere All at Once, and Sofia Carson hit the stage to perform Diane Warren’s “Applause” from Tell It Like a Woman. Lenny Kravitz performed during the “In Memoriam” segment.

Best Picture

All Quiet on the Western Front — Malte Grunert, Producer Avatar: The Way of Water — James Cameron and Jon Landau, Producers The Banshees of Inisherin — Graham Broadbent, Pete Czernin and Martin McDonagh, Producers Elvis — Baz Luhrmann, Catherine Martin, Gail Berman, Patrick McCormick and Schuyler Weiss, Producers Everything Everywhere All at Once — Daniel Kwan, Daniel Scheinert and Jonathan Wang, Producers (WINNER) The Fabelmans — Kristie Macosko Krieger, Steven Spielberg and Tony Kushner, Producers Tár — Todd Field, Alexandra Milchan and Scott Lambert, Producers Top Gun: Maverick — Tom Cruise, Christopher McQuarrie, David Ellison and Jerry Bruckheimer, Producers Triangle of Sadness — Erik Hemmendorff and Philippe Bober, Producers Women Talking — Dede Gardner, Jeremy Kleiner and Frances McDormand, Producers

Best Directing

The Banshees of Inisherin — Martin McDonagh Everything Everywhere All at Once — Daniel Kwan and Daniel Scheinert (WINNER) The Fabelmans — Steven Spielberg Tár — Todd Field Triangle of Sadness — Ruben Östlund

Best Actor in a Leading Role

Austin Butler in Elvis Colin Farrell in The Banshees of Inisherin Brendan Fraser in The Whale (WINNER) Paul Mescal in Aftersun Bill Nighy in Living

Best Actress in a Leading Role

Best actor in a supporting role.

Brendan Gleeson in The Banshees of Inisherin Brian Tyree Henry in Causeway Judd Hirsch in The Fabelmans Barry Keoghan in The Banshees of Inisherin Ke Huy Quan in Everything Everywhere All at Once (WINNER)

Best Actress in a Supporting Role

Angela Bassett in Black Panther: Wakanda Forever Hong Chau in The Whale Kerry Condon in The Banshees of Inisherin Jamie Lee Curtis in Everything Everywhere All at Once (WINNER) Stephanie Hsu in Everything Everywhere All at Once

Best Costume Design

Babylon — Mary Zophres Black Panther: Wakanda Forever — Ruth Carter (WINNER) Elvis — Catherine Martin Everything Everywhere All at Once — Shirley Kurata Mrs. Harris Goes to Paris — Jenny Beavan

All Quiet on the Western Front — Viktor Prásil, Frank Kruse, Markus Stemler, Lars Ginzel and Stefan Korte Avatar: The Way of Water — Julian Howarth, Gwendolyn Yates Whittle, Dick Bernstein, Christopher Boyes, Gary Summers and Michael Hedges The Batman — Stuart Wilson, William Files, Douglas Murray and Andy Nelson Elvis — David Lee, Wayne Pashley, Andy Nelson and Michael Keller Top Gun: Maverick — Mark Weingarten, James H. Mather, Al Nelson, Chris Burdon and Mark Taylor (WINNER)

Best Original Score

Best adapted screenplay.

All Quiet on the Western Front — Screenplay by Edward Berger, Lesley Paterson and Ian Stokell Glass Onion: A Knives Out Mystery — Written by Rian Johnson Living — Written by Kazuo Ishiguro Top Gun: Maverick — Screenplay by Ehren Kruger and Eric Warren Singer and Christopher McQuarrie; Story by Peter Craig and Justin Marks Women Talking — Screenplay by Sarah Polley (WINNER)

Best Original Screenplay

The Banshees of Inisherin — Written by Martin McDonagh Everything Everywhere All at Once — Written by Daniel Kwan and Daniel Scheinert (WINNER) The Fabelmans — Written by Steven Spielberg and Tony Kushner Tár — Written by Todd Field Triangle of Sadness — Written by Ruben Östlund

Best Live-Action Short Film

“An Irish Goodbye” — Tom Berkeley and Ross White (WINNER) “Ivalu” — Anders Walter and Rebecca Pruzan “Le Pupille” — Alice Rohrwacher and Alfonso Cuarón “Night Ride” — Eirik Tveiten and Gaute Lid Larssen “The Red Suitcase” — Cyrus Neshvad

Best Animated Short Film

“The Boy, the Mole, the Fox and the Horse” — Charlie Mackesy and Matthew Freud (WINNER) “The Flying Sailor” — Amanda Forbis and Wendy Tilby “Ice Merchants” — João Gonzalez and Bruno Caetano “My Year of Dicks” — Sara Gunnarsdóttir and Pamela Ribon “An Ostrich Told Me the World Is Fake and I Think I Believe It” — Lachlan Pendragon

Best Animated Film

Best original song.

“Applause” from Tell It Like a Woman ; Music and Lyric by Diane Warren “Hold My Hand” from Top Gun: Maverick ; Music and Lyric by Lady Gaga and BloodPop “Lift Me Up” from Black Panther: Wakanda Forever ; Music by Tems, Rihanna, Ryan Coogler and Ludwig Goransson; Lyric by Tems and Ryan Coogler “Naatu Naatu” from RRR ; Music by M.M. Keeravaani; Lyric by Chandrabose (WINNER) “This Is a Life” from Everything Everywhere All at Once ; Music by Ryan Lott, David Byrne and Mitski; Lyric by Ryan Lott and David Byrne

Best International Feature Film

All Quiet on the Western Front — Germany (WINNER) Argentina, 1985 — Argentina Close — Belgium EO — Poland The Quiet Girl — Ireland

Best Makeup and Hairstyling

All Quiet on the Western Front — Heike Merker and Linda Eisenhamerová The Batman — Naomi Donne, Mike Marino and Mike Fontaine Black Panther: Wakanda Forever — Camille Friend and Joel Harlow Elvis — Mark Coulier, Jason Baird and Aldo Signoretti The Whale — Adrien Morot, Judy Chin and Anne Marie Bradley (WINNER)

Best Production Design

Best cinematography.

All Quiet on the Western Front — James Friend (WINNER) Bardo, False Chronicle of a Handful of Truths — Darius Khondji Elvis — Mandy Walker Empire of Light — Roger Deakins Tár — Florian Hoffmeister

Best Visual Effects

All Quiet on the Western Front — Frank Petzold, Viktor Müller, Markus Frank and Kamil Jafar Avatar: The Way of Water — Joe Letteri, Richard Baneham, Eric Saindon and Daniel Barrett (WINNER) The Batman — Dan Lemmon, Russell Earl, Anders Langlands and Dominic Tuohy Black Panther: Wakanda Forever — Geoffrey Baumann, Craig Hammack, R. Christopher White and Dan Sudick Top Gun: Maverick — Ryan Tudhope, Seth Hill, Bryan Litson and Scott R. Fisher

Best Documentary Feature

All That Breathes — Shaunak Sen, Aman Mann and Teddy Leifer All the Beauty and the Bloodshed — Laura Poitras, Howard Gertler, John Lyons, Nan Goldin and Yoni Golijov Fire of Love — Sara Dosa, Shane Boris and Ina Fichman A House Made of Splinters — Simon Lereng Wilmont and Monica Hellström Navalny — Daniel Roher, Odessa Rae, Diane Becker, Melanie Miller and Shane Boris (WINNER)

Best Documentary Short Film

Best film editing.

The Banshees of Inisherin — Mikkel E.G. Nielsen Elvis — Matt Villa and Jonathan Redmond Everything Everywhere All at Once — Paul Rogers (WINNER) Tár — Monika Willi Top Gun: Maverick — Eddie Hamilton

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Tom Cruise's New Movie Role With Oscar-Winning Director Sounds Like His Best In 25 Years

• Tom Cruise may have his best role in 25 years, playing a character who tries to save humanity but ends up causing destruction.
• Director Alejandro G. Irritu's new movie presents Cruise in a twist on his hero stereotype, potentially leading to a standout performance.
• The role in Irritu's film could rival Cruise's acclaimed role in Magnolia, with potential for an Oscar nomination and a standout performance.

The first details about a new Tom Cruise movie have surfaced, and it just might give the actor his best role in 25 years. After spending much of his time in recent years making franchise installments and entertaining action movies, Cruise is finally on the cusp of breaking away from those practices and returning to working with auteur filmmakers. He was meant to team up with Quentin Tarantino in his now-canceled movie, but the actor also has a film in development with Oscar-winning director Alejandro G. Iñárritu ( Birdman and The Revenant ).

Development on Tom Cruise and Alejandro G. Iñárritu's new movie has been underway since early 2024, when the actor's casting was first reported. However, the plot and the type of role Cruise would play remained a mystery. It has now been revealed (via Deadline ) that the story follows "the most powerful man in the world" as he attempts to become "humanity's savior." The catch is that he's unleashed something that will destroy everything. There is no doubt that this is the role that Tom Cruise is meant to play, and it sounds like an auspicious opportunity for him to shine.

Tom Cruise Played One Of The Best Movie Villains Of All Time 20 Years Ago & Im Still Waiting For More

Tom Cruise has hardly played any antagonists in his illustrious career but his iconic villain role in Michael Mann's 2004 thriller makes me want more.

Tom Cruise's New Movie Role As Humanity's Savior Is Very Exciting

It's a twist on a common stereotype for cruise.

What makes Tom Cruise's role as humanity's savior in the new movie so exciting is how it builds on his career to this point and his most famous roles. Cruise has become a major star, in part, because of the often heroic roles that he plays. Whether its Ethan Hunt or Pete 'Maverick' Mitchell, the actor typically plays heroes who are the key to saving the world or humanity in some case. Iñárritu's movie is poised to put Cruise back in that same stereotype, although the circumstances are very different.

Audiences should have no trouble buying him as the "savior" character, since that is what he is best known for at this point. Cruise has even positioned himself somewhat as Hollywood's savior thanks to his dedication to the theatrical experience before and after Top Gun: Maverick 's record performance. But, it sounds like Cruise's new movie role will essentially have him be the villain behind humanity's potential doom. This creates the potential for the movie to deconstruct Cruise's hero/savior complex , which could help him deliver one of his best performances ever.

This Can Be Tom Cruise's Best Role Since Magnolia

It was his last oscar-nominated performance.

The potential that exists for Tom Cruise's new role and the type of performance he could give under Iñárritu's direction could easily make it his best role since Magnolia . Paul Thomas Anderson's 1999 movie was critically acclaimed and even brought a Best Supporting Actor Oscar nomination for Cruise . While he's worked on several notable projects since then, none have brought him the same level of awards recognition. Iñárritu's movies tend to get its performers Oscar nominations, if not wins, so Cruise could be next if the performance is everything imagined.

Even if Tom Cruise's new movie role doesn't get him an Oscar nomination like Magnolia did, it could still be his best performance since then. He's had great performances over the last 25 years , whether in Collateral , Minority Report , or Top Gun: Maverick , but they still did not reach the emotional heights of his Oscar-nominated performance. Iñárritu's track record and Tom Cruise 's interest in seeking out this project are signs that the actor could be in line for one of his best roles ever.

Source: Deadline

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The 27 actors you’d assume have won Oscars – but haven’t

Some stars just can’t catch a break…, article bookmarked.

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When it comes to winning an Oscar, the key is usually a good narrative.

The young upstart bursting onto the scene with a sparkling debut performance. The faded star staging an unlikely comeback. The hell-bent Method actor transforming themselves completely in service of their craft.

While the decision of who wins is often down to the arbitrary notion of “momentum” and whoever ran the most effusive behind-the-scenes campaign, many talented actors have often found themselves falling just short – losing out to a more romantic narrative.

Sometimes, actors have accrued a whole handful of Oscar nominations without ever once winning.

For every serial winner like Daniel Day-Lewis or Frances McDormand, there’s a Willem Dafoe or Glenn Close : great actors who haven’t yet been given their due by the Academy.

Here’s a breakdown of all the living actors who have been nominated multiple times – but have never taken home an award.

Glenn Close

Close is tied with the late Peter O’Toole for the record for the most Oscar acting nominations without a win, having garnered eight across her nearly five-decade long career. While her most recent nod, for 2021’s insipid Hillbilly Elegy , was never likely to bag her a prize, she had in fact been the frontrunner back in 2017, for her role in The Wife . The bookie’s favourite lost out to the actual Favourite , however, as Academy newcomer Olivia Colman stole her thunder. Don’t expect this drought to last forever, though; there’s the belief among many in Hollywood that Close is now long overdue.

For whatever reason, Adams’s career has become synonymous with the idea of the Oscar also-ran. After breaking through with the indie dramedy Junebug in 2005, (which earned her the first of six unsuccessful acting nominations), she has gone on to deliver powerhouse performances in films such as Doubt , The Fighter and The Master , but has never won an Oscar. Her last nomination was back in 2019, for Adam McKay’s turgid Dick Cheney biopic Vice – but at the age of 47, there’s still plenty of time for Adams to finally get her hands on a golden statuette (or several).

Jane Alexander

In the 1970s and early 1980s, Alexander winning an Oscar must have felt like an inevitability. The Massachusetts-born actor was nominated four times within a span of just fourteen years – for roles in The Great White Hope (1970), All the President’s Men (1976), Kramer vs Kramer (1979) and Testament (1983). Testament was to be her last nomination, however, and though Alexander remains a prolific presence on TV and the stage (earning a Tony Award nomination as recently as 2020), she has appeared in just three films since 2009.

Warren Beatty

One of the finest multi-talents of the New Hollywood era, Beatty has amassed a host of Oscar nominations in various writing, acting, directing and producing categories, winning Best Director for Reds in 1981. His acting was never deemed worthy of the top gong, however, despite four nominations – and what may be his best performance, in Robert Altman’s McCabe & Mrs Miller , was never even nominated. Nonetheless, Beatty has still etched his name into the Oscar history books, playing a pivotal role in the infamous Best Picture announcement blunder of 2017 .

Annette Bening

One of the standout female actors of her generation, Bening is someone whom many people might assume would have already won an Academy Award. That’s not the case, however, despite her five nominations – with 1999’s American Beauty sweeping the awards in several other big categories (including Best Picture, Best Director and Best Actor for Kevin Spacey), it feels like something of a snub. Even more egregious of a snub was the decision not to nominate her for 2016’s 20th Century Women ; her turn as single mother Dorothea Fields was one of the decade’s best. Will her latest nomination, for this year’s Nyad , be the one?

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Bradley Cooper

After getting his breakthrough in the debauched comedy The Hangover , Cooper went on to establish himself as one of Hollywood’s foremost leading men in films like Silver Linings Playbook , American Hustle , American Sniper and A Star is Born , all four of which saw him earn acting nominations. Cooper has also been recognised by the Academy for his producing and directing work, but has never won. While his turn in Nightmare Alley has been unappreciated this awards season, the film itself is at least in contention for Best Picture. His fifth acting nomination came for his self-directed 2023 biopic Maestro , in which he played famed composer Leonard Bernstein.

Willem Dafoe

Another actor who you might have thought would have already won an Oscar, Dafoe is known for his ability to wow arthouse audiences and Spider-Man fans alike. Of his four near-misses ( Platoon ; Shadow of the Vampire ; The Florida Project ; At Eternity’s Gate ), it is probably his role as a well-meaning motel manager in Sean Baker’s understated The Florida Project which stings the most; Dafoe was half-expected to win at the time, only to lose out to Sam Rockwell in Three Billboards Outside Ebbing, Missouri .

Marsha Mason

Actor and director Marsha Mason isn’t quite a household name, but her run of projects from 1973 to 1982 saw her land an impressive four nominations: for Cinderella Liberty (1973), The Goodbye Girl (1977), Chapter Two (1979), and Only When I Laugh (1981). Regrettably, she won none of them, though picked up two Golden Globes for her efforts.

One of cinema’s greatest screen curmudgeons, Harris has experienced no shortage of awards over the course of his acclaimed career. An Oscar is one trophy that eludes him, however; despite nominations for Apollo 13 , The Truman Show , Pollock and The Hours , he’s always walked away from the big night empty-handed.

Saoirse Ronan

Irish actor Ronan’s continued presence on the ballot became almost a running joke among Oscar pundits. By the age of 24, she’d been nominated four times (for 2007’s Atonement , 2015’s Brooklyn , and her two collaborations with director Greta Gerwig: 2017’s Lady Bird and 2019’s Little Women ). It’s no stretch to assume that the 27-year-old will end up winning one of these days. And at the rate Ronan’s going, she could even end up pushing Meryl Streep’s record for all-time most nominations.

Michelle Williams

Williams may be best known to mass audiences through her roles in tentpole releases like Venom or The Greatest Showman , but it’s in smaller, weightier films (like Certain Women or Manchester By the Sea ) that she really shines. Her Oscar-nominated turns in 2011’s Blue Valentine and 2018’s Manchester By the Sea would have both been particularly worthy winners; but her other nominations, for Brokeback Mountain in 2006 and for her turn as Marilyn Monroe in My Week with Marilyn (2012), were also deserved recognition of her craft.

While the later years of Cruise’s career have been defined by high-octane blockbusters, he was once capable of nuanced performances. His Oscar-nominated turn as a misogynistic pickup artist in Paul Thomas Anderson’s Magnolia might be Cruise’s best work to date, and sits alongside Born on the Fourth of July and Jerry Maguire as one of three nominations in total.

Damon is another of Hollywood’s biggest names to have never scooped an Oscar win – despite coming close on three occasions. In 1998, he lost out after being nominated for Good Will Hunting (though he did manage a win in the Best Original Screenplay category). Later nominations for Invictus and The Martian followed in 2010 and 2016, to no avail. His lead role in last year’s superb medieval epic The Last Duel could have been an interesting contender – but the film was snubbed from the nominations list entirely.

…and the rest

There are 14 other living actors who have been nominated three times without winning: Joan Allen, Johnny Depp, Woody Harrelson, Diane Ladd, Angela Lansbury, Piper Laurie, Laura Linney, Viggo Mortensen, Nick Nolte, Edward Norton, Michelle Pfieffer, Sigourney Weaver, and Debra Winger, while Mark Ruffalo has been nominated four times.

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