nick cave and the bad seeds tour 2022 setlist

• Day 1 - 24.6.
• Day 2 - 25.6.
• Day 3 - 26.6.
• 2020 - postponed edition

Nick Cave & The Bad Seeds

One of the most intense and exciting live acts on the planet, Nick Cave & The Bad Seeds will headline festivals across Europe in summer 2022, in their first shows in 4 years, including the celebratory 15th anniversary edition of INmusic festival.

Formed following the break up of The Birthday Party in 1982, to date the band have released seventeen studio albums, starting with ‘From Her To Eternity’ in 1984, to the Bad Seeds' latest album ‘Ghosteen’, which has been widely received as their best work ever. One of the most critically acclaimed acts working today, Nick Cave & The Bad Seeds have sold over 5 million albums worldwide to date. Their influence has been profound and far-reaching with many artists covering their work and citing their influence, Nick Cave & The Bad Seeds continue to remain peerless and defy expectations.

Following the 2017 issued compilation box set celebrating Nick Cave & The Bad Seeds 30 years of work with a nod to their 45 most defining songs and a compilation DVD of live performances from around the world, including their performance of Into My Arms at INmusic festival back in 2008, the band returned to the Main stage of INmusic festival in June 2018 for a memorable and awe-inspiring performance as part of their ‘Skeleton Tree’ tour. Four years later, following the release of their highly acclaimed 17th studio album ‘Ghosteen’, Nick Cave and The Bad Seeds will grace the Main stage of INmusic festival #15 once again as part of the long-awaited return of INmusic festival celebrations, twice postponed due to the coronavirus pandemic.

INmusic #15 will take place at the Isle of Youth in Zagreb's lake Jarun from June 20th to the 22nd, 2022. All previously purchased tickets for the postponed edition of INmusic festival #15 remain valid. Festival tickets are available online via the official festival webshop .

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Nick Cave and the Bad Seeds in Berlin: God, of Sorts, Is in the House

Melodic carnage, transcendental lyrics, cathartic delivery, and divine communion between Him and his flock are expected and delivered from Nick Cave and the Bad Seeds performing live in Berlin.

It is fair to say there are very few music artists who have steered clear of media exposure and profit-driven hysteria for decades, yet whose releases and live performances draw in hundreds of thousands of people with little advertising. It is also fair to say that, for the most part, it means that these artists’ fans resemble a cult following. Both statements apply in Nick Cave ’s (and the Bad Seeds’) case.

After a four-year live performance drought – during which he released a live album and concert film Idiot Prayer (2020), a music documentary This Much I Know to Be True (Andrew Dominik, 2022), and 2021’s Carnage , a splendid album that he released with his foremost Bad Seeds trustee Warren Ellis – Cave and his band of extraordinary bedlamites are back on the road. The 37-date world tour – unfortunately not including North America this year – combines festival and large outdoor venue appearances. Initially, it was supposed to take place in 2019 to promote Ghosteen , the most personal and reflexive album of Cave’s career, but the pandemic took its toll. (The tragedy that inspired Ghosteen is left out of this article, as the media have already paid too much undue attention to it. Everyone understands loss and can relate to it, and that’s that.)

By the time the six band members plus two touring staff embarked on a new journey, they had decided that a more eclectic setlist might be more appropriate for their comeback. Since Cave’s humongous opus happens to be among the most consistently impressive in modern rock, this was a sound decision, though I would have died to have heard “Hollywood” live.

As is appropriate for this band’s status, in Berlin (and many other cities), they play the largest non-stadium outdoor venue; here, it’s the legendary Waldbühne , with a capacity of over 22,000. I’ve been to this venue multiple times in the past month, and it seems even fuller on the evening of 29 June than it was for a sold-out Pearl Jam show the week prior. Given how (thankfully) careful Germans are not to overcrowd any space and leave enough room for everyone to stand/sit comfortably, the amphitheater is spectacularly cramped; still, this is only the second hurdle of the evening. 

The first and main obstacle in the everyday life of a large city is getting to the venue. As a part of the Olympiapark, Waldbühne is located on the westernmost end of the city and takes an hour or more to reach from most parts of town, even by car. It doesn’t help that the show is on a Wednesday and that it starts at 7pm without an opening act. After work, we hustle through the gridlock and cuss along the way, barely making it in time – only to find that all sections of the amphitheater but the nosebleed seats have been cut off for new arrivals.

If there is anything I’ve learned from the Pearl Jam performance, it’s that the security people don’t care about the occasional porousness of the borders of the standing area – I dash to the far end, carefully slip downstairs twice shoulder-to-shoulder with the many approved attendees who’ve been stamped to leave and get drinks, and then, once I reach the front seating row, nonchalantly step over the meager stone wall that separates it from the stage-front area. Nobody even so much as looked at me throughout this juvenile adventure. It was worth the risk – I’d do much worse to see Nick Cave. 

Just past 7, the sermon begins. Historically speaking, there are two ways to kick off a Nick Cave and the Bad Seeds show: either with a verbose, pontificating song of moderate intensity (cue “Jesus Alone” from the last tour), or an unhinged carnal celebration. This year we get the latter: as He leisurely emerges onto the stage in a recognizable dark suit and unbuttoned white shirt, “Get Ready for Love” takes off in all its glory. Played live on tour for the first time since 2009, this gem from Abbattoir Blues has it all: fanfare, backing vocals, homiletic directives, and a maniacal Cave descending straight onto his flock, grabbing random hands and screaming “ Praise him!!!” as the front rows bunch up toward him as if in a trance. 

I’ve written about Cave and the Bad Seeds many times, and nothing changes for a band this experienced and performance so visceral. This is a good thing. Melodic carnage, transcendental lyrics, cathartic delivery of immeasurable intensity, and an aura of divine communion between Him and his flock can be expected and delivered. People scramble and weep just to touch Him, hold up signs for him, throw countless flowers for him (this is a tradition), and even a star of David (we’ll get to that) at Him. The adulation of His congregation is so immense it borders on satirical, despite the undeniable force of Nic Cave and the Bad Seed’s opus. “There She Goes, My Beautiful World”, another star from Abbatior Blues follows, and the masses clap and swirl as Cave runs along the front of the stage, customarily spending more time touching (dare we think healing?) His followers. 

“From Her to Eternity” has been a Nick Cave and the Bad Seeds setlist regular for nearly 40 years, but it doesn’t speak to its importance for the oeuvre or the listeners that Cave has been delivering it with the same gimmicks for 20 years now. “Walk and cry!”, “kneel and cry”, “cry, cry, CRY!”, he repeats, often mockingly rubbing his eyes, as he paces like a feral animal while the cacophony stretches along for more than nine minutes. Having seen Cave live on every tour in the past two decades, it is all right to say that this hysterical story telling us about a (hysterical) young woman in a comically hysterical manner has – at least in this form – overstayed its welcome. Removing the overlong but not over-exciting “Stagger Lee” from this tour setlist was a good move, but changing or omitting “From Her to Eternity” would have been even better.

That is not to say these aren’t brilliant songs but, please, bear in mind – the vast majority of Cave’s songs are brilliant, and with 17 albums under Nick Cave and the Bad Seeds belt, it would be rewarding to shuffle the setlist a bit. Without a shroud of exaggeration, off the top of my head, I can name 30 (you read that right) epic tunes that would be a spectacular fit for any Nick Cave and the Bad Seeds setlist, but the band remains strangely insistent on repeating about half of their setlist every time, no matter the tour. 

Still, the disciples are entranced… as much as a typically restrained German audience can be. Cave even facetiously reacts to the eruption of screams during the “From Here to Eternity” outro. “Thank you, that’s encouraging,” he smirks. This continuous back and forth between the flock and its shepherd will continue throughout the night. One woman in the front row put up a sign reading “hug me, mom”, and Cave benevolently obliges. Others offer flowers, and he takes several of them to use as props during His exhortations. People Cave’s age and teenagers alike rejoice at His every move. It is always touching to witness, if not borderline preposterous.

Cave treads the line between divine and farcical with aplomb and humor. During “O Children”, another absolute treasure from Abbatoir Blues , someone shouts “We are the world!” at Him. Cave stops in His tracks and looks at the person intently, then chortles and exclaims: “ No, you are not the world. We are a small section of the world.” We laugh, but the joke is on us. 

Moving forward, the setlist is appropriately diverse, spanning 14 releases, including Cave’s and Ellis’ Carnage. “Jubilee Street” is one of several highlights (and a song which absolutely should make it onto every tour), and as Cave prances, growling, “I’m transforming, I’m vibrating, I’m glowing _ look at me now!”, more fans offer flowers. By now, the gesture has worn thin, and Cave gently turns them down while laughing. 

If there is a solemn, tearful moment at this concert, it is during “Bright Horses”, the most devastating of songs from Ghosteen . While Cave introduces it by playfully teasing a new touring member, pianist Carly, then announcing Warren Ellis with the words: “This is Warren. He’ll sing this song. He’s not new, in any way,” the content of this tune is no laughing matter. A profoundly graceful contemplation of accepting loss for eternity, it is one of Cave’s rare so(m)ber poems in which materialism bluntly trumps idealistic piety. “And everyone has a heart / and it’s calling for something / and we’re all so sick and tired of seeing things as they are / and horses are just horses / and their manes aren’t full of fire, the fields are just fields / and there ain’t no Lord”, whispers Cave as many fans weep. Several quieter tunes follow, including the magnificent “Carnage” from the eponymous album. 

The show’s second half is mostly Nick Cave and the Bad Seed’s greatest hits, and the preaching, cursing, and scorning are back. “Tupelo” and “Red Right Hand” unsurprisingly draw out the biggest singalongs, while “The Mercy Seat” is underwhelming with a new arrangement that removes Ellis’ psychotic violin string destruction from the forefront. Nevertheless, it’s “The Mercy Seat”, so there’s no shortage of ecstasy. After “The Ship Song”, another must-include ballad, comes “Higgs Boson Blues”, a latter-day classic and a prime low-key showcase for Cave’s ponderous homilies. It’s also a decidedly less instructive version of Cave’s preaches that, recounted by a thoroughly unreliable and insecure narrator, gets to take off instantly.

“Can’t remember anything at all,” starts (and ends) Cave slowly, diving into seven delirious extended verses. “And if I die tonight, bury me in my favorite yellow patent leather shoes / With a mummified cat and a cone-like hat / that the caliphate forced on the Jews”, howls Cave, as a woman in the front takes off a Star of David necklace and throws it at Him. He picks it up and shakes it back at the audience while screaming (as he always does), “Can you feel my heartbeat? Can you feel my heartbeat? BOOM BOOM BOOM!” It is one of the most intense moments of the evening and a ploy he will repeat until the end of the show as the crowd sings his praises. 

“City of Refuge”, a most disorderly highlight from 1988’s Tender Prey is, at least in my opinion, the most valuable addition to the new tour. More percussion-heavy and a quarter-beat slower as played live, it is an old-school rock ‘n’ roll banger with a typically canonical narration about the sins of the flesh. “You better run, and run, and run (to the City of Refuge)”, proclaims He, while the masses chant and stomp, raising an enormous cloud of dust and sweat that practically obscures the stage. “White Elephant”, perhaps a minor work relative to the overall quality of Carnage , is an appropriate closer. An aggressive, minimalistic song dedicated to the US Republican party, in which Cave spits that he will “shoot you all for free if you so much as look at me”, before the tune, ironically, breaks out as gospel, with back vocals coming to the front to promise us a “kingdom in the sky”. It doesn’t matter if you believe any of this, so long as you feel completely in the moment. Ultimately, Cave’s music is complex and intimate, so it would be reductive and perhaps unnecessary to analyze it in a purely performative context. 

That evening, Berlin was also one of merely a handful of cities to be honored with a double encore, the latter which featured three glorious and seldom-played tunes. But first, we quiet down and turn inward with tears of tenderness and sadness. “Into My Arms” is a classic that gets everyone to hug their companions and gently swing side to side while singing softly; it is an adequate introduction to “Vortex”, a 2006 b-side that we’re lucky to hear live in 2022. In Cave’s words, it is a simple song, a “small” song; so simple it could be a pop radio hit. But “Vortex” packs lyrics only Cave could deliver with deadpan vigor. “Step into the vortex, where you belong,” He beckons in the chorus, as the tender swinging from the song prior continues. Finally, there is the sublime “Ghosteen Speaks”, another unspeakably devastating tear from Ghosteen . It is a bizarrely intimate song for an otherwise cosmically exploding Cave, who ends on a delicately optimistic note, rejoicing in unison with His congregation in the face of the meaninglessness of life (and death). 

At most of his other shows this tour, the well-known “I think my friends have gathered here for me” chant would have been enough to close an intimate and epic show, but Berlin gets lucky, and Cave reverts to his most feral and murderously poetic in a second encore. “Jack the Ripper” is a detonating surprise. He is deranged and screaming again, just like the mysterious woman who “rules his house with an iron fist”. “Henry Lee”, the legendary symbol of ’90s alt-rock, is also a surprise, sung in duet with one of the backing vocalists. It is performed differently from the lowkey ominous version He did with PJ Harvey, but it mesmerizes the crowd, who are old enough to remember the pomp that originally surrounded its release. (Cave and Harvey were lovers then, and the single cover features them kissing.) At last, “Mermaids” is the real closer of the night. Another favorite of mine and an unjustly overlooked treasure from 2013’s Push the Sky Away , “Mermaids” is another gentle mystification of the Poet’s worldview, seen through his imagined relationship with the eponymous mystical creatures. 

The final balance of the night is seven bombastic bangers, eight tender ballads, and seven tunes that melodically and/or lyrically fall somewhere between the two. It’s a fine mixture that allows Nick Cave and the Bad Seed’s fans to fully appreciate the enormity of their Shepherd’s artistry while cleansing themselves through crying, laughing, and screaming. What does Cave think of all this adulation? Despite his transparency in conversation with fans and the media, he is intellectually and emotionally opaque enough to never really let us know. At Nick Cave and the Bad Seed’s shows, what matters is not what you believe but what you feel.

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All Together Now - Nick Cave & The Bad Seeds stage time and setlist 

Groove Armada, Rufus Wainwright, and Jungle are also on the bill for All Together Now 2022.

• 19:00, 29 JUL 2022

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All Together Now festival is returning after a three-year break, and there is one headliner that’s perhaps got fans more excited than any other - Nick Cave & The Bad Seeds. The festival is taking place from July 29 – 31 and will see thousands of festivalgoers descend on the Curraghmore Estate in County Waterford.

The legendary folk-rock band are playing on the Main Stage, which will also see huge acts like Rufus Wainwright, Jungle, and King Gizzard & The Lizard Wizard performing.

All Together Now is one of Ireland’s biggest festivals, set across a 3000-acre site and featuring eighteen stages, including Arcadia, Belonging Bandstand, Global Roots, Ping Pong Disco, The Last City, and AVA in the woods.

Read more: Items banned from All Together Now festival including BBQs and camping stoves

Nick Cave & The Black Seeds are currently on their 2022 summer tour, which sees them going to Germany, Austria, Poland, Luxembourg, and much more after performing at All Together Now.

When is Nick Cave & The Bad Seeds performing at All Together Now?

Nick Cave & The Bad Seeds will perform on the ATN Main Stage on Saturday, 30 July 2022, from 20:45 to 23:00.

Nick Cave & The Bad Seeds’ potential setlist

While no official setlist has been released for All Together Now, Nick Cave & The Bad Seeds recently performed at Exit Festival in Serbia as part of their summer tour. The set list for that show might give fans some clues to what’s in store for ATN:

• Get Ready for Love
• There She Goes, My Beautiful World
• From Her to Eternity
• Jubilee Street
• Bright Horses
• Waiting for You
• Carnage (Nick Cave & Warren Ellis cover)
• Red Right Hand
• The Mercy Seat
• Higgs Boson Blues
• City of Refuge
• White Elephant (Nick Cave & Warren Ellis cover)
• Into My Arms
• Ghosteen Speaks

Read more What's On News here

• Harry Styles gets his first Mercury prize nomination alongside Sam Fender and Jessie Buckley
• All Together Now festival Friday line-up and stage times - What time will Jungle be on the main stage
• Strict alcohol limit and rules for All Together Now festival – what you can take onto the site
• 'I went to a 'secret' Ed Sheeran concert in Dublin and was astonished by one thing'
• Dublin's Sunday Social LGBTQ+ disco night closed down after 14 years over licensing issues
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Best Live Concert i have seen this year and syraight inyo my favourite top 20 live gigs of all time

Have neverseen him live before but have been an admorer of his work for a long time

What i witnessed was a Professional Performer at his Pesk .He owned the stage and worked the Audiance in front of him up into a frenzy one minute then calmed them down the next

Thier was a Power in his Theatrical Performance that was Mezmerising Menacing and Hesling and Tender in equal measure

Rately have i seen one person in a large auditorium have such a presence from the outset

At times haunting ,especially tracks ftom the Skeleton Tree were performed and you could feel his loss bourne out of the tragic death of his son

But at other times menacing no e more so on the final song Stagger Lee where the brutal themes in the song were drliveted with Authority Pathos and Power Boom Boom Boom Boom he called out as a member of the Audiance ( some of whom he had invited on stsge with him ) pretended to shoot him as Cave acted out the part in this Datk Brooding Anarchisc dong where even the Devil gets his comeuppance

It says something specisl when one of my favourite somgs The Ship Song paled into medicorracy compared to the rest Thats hiw good the Set was ,Flawless In my opinion

Was held csptivated and spell bound from start to finish He must of been emotionally drained and the fans on stage hugged him He deserved the reception

If you get the chance go and see him this performance was special ably backed.by the Bad Seeds A unit that was do tight they didnt put a foot wrong

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It was just two years ago when I saw Nick Cave and the Bad Seeds live and I was totally amazed by the frontman (age 56), the artist who has been influenced by various genres, such as punk rock, gothic rock, new wave and blues. When I red for the first time about the Grinderman, a side project to Nick Cave and the Bad Seeds, I was quite enthusiastic. The band, originally known as Mini Seeds, was formed by Cave as "a way to escape the weight of The Bad Seeds." Such a good escape! On the Hammersmith Apollo stage, dressed in black suits, Nick Cave (lead vocals, electric guitar, organ, piano, artwork), Warren Ellis (acoustic guitar, viola, violin, electric bouzouki, electric mandolin, backing vocals) Martyn Casey (bass, acoustic guitar, backing vocals) and Jim Sclavunos (drums, percussion, backing vocals) haunted the crowd with their dirty and powerful garage rock. The audience were blown away by songs such as "No Pussy Blues," "Love Bomb" and "Get It On." You could see the strong influence of the Bad Seeds but there was something more ironic, they could make fun of themselves. In the end you could have just one certainty: that of having faith in Nick Cave, his talent and his definition of rock n roll.

Nick Cave & The Bad Seeds is less a concert as it is a Tent revival (minus the snake handling maybe)!

The songs range anywhere from Gospel (God is in the House) to flat out insanity (Stagger Lee) and everything in between.

Mr. Cave stalks the stage like a caged leopard as the Bad Seeds push him along musically. But he will then sit at the piano and belt out a heart wrenching ballad before getting up and casually sauntering into the audience to continue "preaching" among the faithful. And it is done just so naturally that you forget that there are supposed "boundaries" between performers and fans normally (Iggy Pop being another who crushes such pretenses)!

While Nick maybe the Preacher the Bad Seeds are the exorcists pursuing demons (both ours and theirs) and sending them wailing in the wake of their musical onslaught! Warren Ellis in particular treats his violin more in line with a Les Paul than a classical instrument and at times remind one of a demented "Pied Piper"!

Nick Cave & The Bad Seeds could make a reading of the average Fast Food Menu sound like the most epically beautiful experience you have heard. And I'd pay money to hear it!

I've been to hundreds of gigs in my relatively short life thus far, but this was easily the best ever. My girlfriend and I waited in the queue for 7 hours and we ended up right and the front, with Nick singing inches away from us, and at times holding our hands and singing to us. Nick Cave is my hero and I was practically in shock for the first few tracks, which were off the new album (relatively new, considering this show was a hole year and a bit after it was released) and then the intensity was raised with tracks like 'From Her To Eternity and 'Tupelo', both of which I had greatly anticipated. Before the show I was aware that the set excluded songs from my favourite albums (although all of The Bad Seeds' discography is superb), however the artist was still perfectly crafted. If I could afford it, I would go to ever show on the tour. 10/10

I am not sure I can describe how good last night's Nick Cave and the Bad Seeds show was. First of all, It was at the Masonic Temple, a terrificly beautiful music venue with a large enthusiastic crowd. The opening act was Nicole Atkins. She has a beautiful voice, good songs and a dramatic presence. A nice new find. Nick Cave and the Bad Seeds were amazing. They created an atmosphere that was simultaneously moody and electrifying. It was also visually stunning. The songs were beautifully presented, with strong clear vocals and intricate well-performed musical arrangements. Instead of being unremittingly loud like so many concerts, this one moved from soft and almost gentle to thunderingly loud in dramatic fashion. I was surprised by how Nick engaged with the audience. A great show - another to top my list for the year.

I was present for the show in Belgium...at the first rows. Although I am not the biggest big Nick Cave fan, I have fully enjoyed this show that excelled in passion and intensity. He played all songs from Skelleton tree except for one song, and everybody knew it was related to his son's death...but it remained unspoken...instead he sung his heart and soul out in full connection and supporting on the warmth of his fans. He reached out for their hands and even jumped in the crowd to walk by them...he also played his epic rhythmic songs such as Tupelo and red right hand. My favourite song was Jubilee street that ended in full blast with his excellent bad seeds band members. It can become the best gig of 2017...for sure best performance of front singer I have seen in years.

Do You Love ME? What a better question to an audience celebrating an holy ceremony? Nick Cave & The Bad Seeds live are more than a concert experience, and if your next Nick Cave's concert is not the first, you know what I'm talking about. It's not important how loud or intimate the last Nick's studio album was: the live side of the Men with the Red Right Hand is hypnotic, wild and terrific at the same time. You will jump into the whirlwind of emotions after the first note, and the violin of Warren Ellis more than any other instrument (except for Mr. Cave's voice) will take you on the banks of the river "where the wild roses grove"...and, listen to me: look at your back!

Last night Nick Cave planted his Bad Seed into my brain. I will forevermore never be the same.

If there better live show out there I am not aware of it. You will not find a more intimate, emotional, and thrilling experience. Cave offers a panoply of genre--swellings of rage to heartfelt ballads--that does not release for the entirety of the performance. There is no artist more diverse yet still so incredibly and elusively himself. At 56 Cave is more viable now than ever. His is still a post punk king. The Bad Seeds are as heavy as anything NIN or Tool delivers at a live show. There is a majesty here. Prepare to depart from this show utterly bewitched.

Wasn't sure the usual mesmerising intimacy would translate to the arena setting - but jesus christ was I wrong. Back to the thrashing and stage-diving Birthday Party years, with more dignity and incredible vocals. Telling off the security staff for trying to stop him jumping into the fans who would tear off a finger for the memento, jumping back and forth across an actual gap in the staging, hip-thrusting and growling into the mic, stage invasion and lyric manipulation to make Red Right Hand into a lament of the Trump White House; this was alive with everything you'd expect, on an epic scale.

Simply amazing! I have been to many live performances, but I have to say Nick Cave blew them all away! Nick involves his audience with the goings on on stage like no other performer I've experienced in the past. You as a listener are apart of his music as he weaves his lyrical prowess onstage.

I took a friend of mine with me to the show who had never heard of Nick Cave or even knew his music. She was an immediate fan! I now have the problem of judging all the concerts I will ever see in the future by the standards of a Nick Cave performance. It will be very hard to top!

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Nick Cave and The Bad Seeds is not due to play near your location currently - but they are scheduled to play 33 concerts across 17 countries in 2024-2025. View all concerts.

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• Cave, Nick & the Bad Seeds
• August 12, 2022 Setlist

Nick Cave & the Bad Seeds Setlist at Slottsskogen, Gothenburg, Sweden

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Tour: Summer 2022 Tour statistics Add setlist

• Get Ready for Love Play Video
• There She Goes, My Beautiful World Play Video
• From Her to Eternity Play Video
• O Children Play Video
• Jubilee Street Play Video
• Bright Horses Play Video
• I Need You Play Video
• Waiting for You Play Video
• Tupelo Play Video
• Red Right Hand Play Video
• The Mercy Seat Play Video
• The Ship Song Play Video
• Higgs Boson Blues Play Video
• City of Refuge Play Video
• White Elephant ( Nick Cave & Warren Ellis  cover) Play Video
• Into My Arms Play Video
• Vortex Play Video
• Ghosteen Speaks Play Video

Edits and Comments

5 activities (last edit by mkinley_daniel , 12 Aug 2022, 22:59 Etc/UTC )

Songs on Albums

• Get Ready for Love
• There She Goes, My Beautiful World
• Bright Horses
• Ghosteen Speaks
• Waiting for You
• Higgs Boson Blues
• Jubilee Street
• City of Refuge
• The Mercy Seat
• From Her to Eternity
• Red Right Hand
• Into My Arms
• The Ship Song
• White Elephant by Nick Cave & Warren Ellis

Complete Album stats

Nick Cave & the Bad Seeds

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Way Out West 2022 setlists

Nick Cave & the Bad Seeds Gig Timeline

• Aug 08 2022 Ergo Arena Gdańsk, Poland Start time: 8:00 PM 8:00 PM
• Aug 11 2022 Øyafestivalen 2022 Oslo, Norway Start time: 8:45 PM 8:45 PM
• Aug 12 2022 Way Out West 2022 This Setlist Gothenburg, Sweden Add time Add time
• Aug 14 2022 Flow Festival 2022 Helsinki, Finland Start time: 8:55 PM 8:55 PM
• Aug 16 2022 Vingio Parkas Vilnius, Lithuania Start time: 8:45 PM 8:45 PM

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<div style="text-align: center;" class="setlistImage"><a href="https://www.setlist.fm/setlist/nick-cave-and-the-bad-seeds/2022/slottsskogen-gothenburg-sweden-7bb38a44.html" title="Nick Cave &amp; the Bad Seeds Setlist Way Out West, Summer 2022" target="_blank"><img src="https://www.setlist.fm/widgets/setlist-image-v1?id=7bb38a44" alt="Nick Cave &amp; the Bad Seeds Setlist Way Out West, Summer 2022" style="border: 0;" /></a> <div><a href="https://www.setlist.fm/edit?setlist=7bb38a44&amp;step=song">Edit this setlist</a> | <a href="https://www.setlist.fm/setlists/nick-cave-and-the-bad-seeds-23d6a877.html">More Nick Cave & the Bad Seeds setlists</a></div></div>

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[url=https://www.setlist.fm/setlist/nick-cave-and-the-bad-seeds/2022/slottsskogen-gothenburg-sweden-7bb38a44.html][img]https://www.setlist.fm/widgets/setlist-image-v1?id=7bb38a44[/img][/url] [url=https://www.setlist.fm/edit?setlist=7bb38a44&amp;step=song]Edit this setlist[/url] | [url=https://www.setlist.fm/setlists/nick-cave-and-the-bad-seeds-23d6a877.html]More Nick Cave & the Bad Seeds setlists[/url]

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• Radiohead Bassist Colin Greenwood to Join Nick Cave & The Bad Seeds Tour

Long-time bassist Martyn Casey was forced to step down from the tour due to illness.

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Courtesy of Nasty Little Man PR

Radiohead bassist Colin Greenwood has been announced as the newest member of Nick Cave & The Bad Seeds for their upcoming 2025 tour.

The news comes after long-time bassist Martyn Casey was forced to step down from the tour due to illness.

In a statement posted to their social media on September 4th, the band expressed their regret over Casey’s absence and announced Greenwood as his replacement for the shows.

“Nick Cave & The Bad Seeds are sad to announce that due to illness, Martyn Casey will not be joining the forthcoming UK and European tour. Colin Greenwood will stand in on bass for these shows. The band sends Martyn their love and best wishes,” the band wrote.

Greenwood is no stranger to performing alongside Nick Cave.

The Radiohead bassist previously played with Cave during his Carnage tour and contributed to the band’s latest album, Wild God , which dropped on August 30th.

Rolling Stone AU/NZ   described the album as “a lush, orchestral production wrapped around those familiar dark tales” while praising the record for balancing “classic Nick Cave with the unexpected.”

Recently, Cave opened up about the emotional depth behind the new album, saying, “These days I feel a more urgent need to connect with people.”

That sentiment is all over Wild God , which features standout tracks like “Joy” and “Frogs.”

The 2025 tour will kick off in Berlin on September 15th and will continue through Europe, with a final stop in London on November 10th. The setlist is expected to draw heavily from Wild God , alongside tracks from Cave’s extensive back catalogue.

Greenwood’s involvement is bound to be an exciting addition to the tour, given his history with Radiohead. His contribution to the basslines of iconic albums like OK Computer and Kid A has made him one of modern music’s most distinctive bassists.

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Nick Cave and the Bad Seeds, Wild God: a technicolour epic of recovery from trauma

The latest sacramental offering from the church of Nick Cave is a technicolour epic of recovery from trauma, in which rock’s most perverse preacher conjures a powerful public act of penitence, contrition and communion.

The Wild God of the title serves as a personification of a spirit of creative nihilism that once held dominion over Cave’s work and is still at loose in the world, “moving through the flames of anarchy / Moving through the winds of tyranny.”  Yet this cracked deity is not exalted on an album where Cave’s lyrical imagery is bright with childhood visions of nature’s beneficence. Where a wrathful cougar stalked 2019’s bereft Ghosteen, Wild God is populated by jumping frogs and rabbits tucking carrots behind their ears. “We’ve all had too much sorrow, now is the time for joy,” a visiting spirit urges on Joy, reinforcing a thematic impulse towards the comforts of faith.

Notions of God have permeated Cave’s work since his earliest days with the fiercely provocative Birthday Party, when he would scour the most blood-drenched pages of the Old Testament for inspiration. It helped inspire a persona more akin to a fire and brimstone prophet of apocalyptic antithesis than a rock evangelical spreading the good word. Yet Cave’s complex relationship with the Christian faith of his childhood was transformed by the death of his teenage son, Arthur, in 2015 (he lost a second son, Jethro, aged 31 in 2022).

The music conjured to support 66-year-old Cave’s religious epiphanies is a glorious swirl of orchestras, synths, percussion and choirs. The Bad Seeds have sounded unusually subdued during a mourning period that began with 2016’s Skeleton Tree, and they were absent (apart from multi-instrumentalist Warren Ellis) from 2021’s brittle Carnage. Reconvened for an 18 th album together, the huge sound is their most full-blooded in over a decade. There is a warm quality to the way it ebbs and flows as we are borne from the shores of Avalon on the elegiac Song of the Lake to a fragile vision of the resurrection on As the Waters Cover the Sea. “He steps from the tomb / In His rags and His wounds … He brings peace and good tidings to the land.”

Cave’s career has been confoundingly counterintuitive, a cult artist who rose to household-name arena stardom in late middle age whilst making the strangest music of his career; a former anti-establishment firebrand who was invited to the coronation of King Charles as the personal guest of the Archbishop of Canterbury, Justin Welby.

Wild God might be characterised as the Redemption of Saint Nick, on which he completes a penitential passage from iconoclastic provocateur to remorseful convert. There remain ruminations of doubt on bleak ballad Long Dark Night and hints of pagan relish on Conversion, but nothing to upset new pal the Archbishop. It reminds me how much I miss the devilish Old Nick, but it’s a privilege to bear witness to such a beautifully realised artistic, emotional and philosophical journey by one of the greatest singer-songwriters of our time. Neil McCormick 

Also out: Cacophony, Paris Paloma &starf;&starf;&starf;&starf;&star;

Ruby-coloured juice drips down Paris Paloma’s hands as she rips into a pomegranate and devours the seeds à la Persephone in the music video for Labour. “Therapist, mother, maid, nymph, then virgin, nurse and a servant,” she chants. The rallying cry questioning the roles of women went viral on TikTok after its release last year, going on to break the UK singles chart and rack up over 150million streams.

The 23-year-old star recently performed the song on BBC’s Later… with Jools Holland as well as barefoot on stage as the support act for Stevie Nicks in London. With her poetic lyrics and folklore references, the 23-year-old emits an energy similar to Florence Welch.

Now the Derbyshire-born singer-songwriter has released her debut album, Cacophony. Inspired by Stephen Fry’s Mythos , it takes the shape of a hero’s journey, exploring love and grief through strong influences of Greek mythology and gothic literature across 15 tracks. As Paloma put it: “We start with the turmoil, open up the chaos, scramble back to redemption and healing”.

Her quest begins with hauntingly layered vocals and a literal scream in My Mind (Now) and ends with the gentle Yeti . As the narrative unfolds the pace of the second half slightly lags but song Hunter brings the epic back to this odyssey.

Paloma studied fine art at university and her thoughtful approach to imagery is felt throughout the album, from refractions of light in The Warmth to the mystical green fields in His Land , a somber response to the reduction of public land in Britain.

This cathartic expression of feminine rage is anything but a cacophony, and as Paloma sings in The Warmth , she is finally emanating sunbeams. Annabel Martin

Best New Songs

By Poppie Platt

Bryan Ferry, Star Back with his first original music for over a decade (which will feature on forthcoming album Retrospective: Selected Recordings 1973-2023), the former Roxy Music frontman teams up with Nine Inch Nails’ Trent Reznor and Atticus Ross – and performance artist Amelia Barratt on lead vocals – for a slice of hypnotic, pounding techno.

Coldplay, We Pray (featuring Little Simz, Burna Boy, Elyanna and TINI) Ignore the naysayers – Chris Martin is back to being the internet’s resident nice guy after he covered Taylor Swift songs (and invited Swifties on stage) in Vienna to make up for her recent concert cancellations. We Pray is another slice of optimistic goodwill, but the addition of stars like Little Simz and Burna Boy crank it up a notch.

Kingfishr, I Cried, I Wept  Ahead of their UK tour this autumn, the rapidly-rising Irish indie-folk band’s release a rabble-rousing anthem packed with catchy hooks and tender melodies. In the rare event that the Gallagher brothers are reading this: they’d be a pretty solid addition to Oasis’s Croke Park bill next summer…

Wunderhorse, Arizona Rightfully being touted as one of Britain’s most promising up-and-coming bands, the London-based grunge quartet’s latest single – taken from their terrific new album Midas, out today – sees frontman Jacob Slater go down a quieter, more melancholy path, culminating in the aching bridge: “And I never meant to hurt you / Or to tear you from this life / And I’m sorry if you suffered / When they turned out all the lights / But you’re woven in the verses / Of this broken lullaby”.

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Aug 21 2022

Nick Cave And The Bad Seeds, 08/21/2022

• By A Pop Life (Erwin Barendregt) in Concert

Concert information

When Nick Cave And The Bad Seeds played the Dutch Best Kept Secret festival, I was at the fantastic Cat Power concert. I really thought it was okay to miss Nick Cave this time, but the reviews praised the show so much again, that I started to doubt. Maybe give it a try. Alas, no such luck…

Wait, Istanbul? Weren’t we in Türkiye at that very same time on holiday? Yes, was it possible to travel to Istanbul? Yes again. Wow! Bought tickets and the wait could begin. In the meantime we were treated to a live online broadcast of the July 2nd show in Montreux. It was ridiculously good!

In Istanbul on a great summer’s night in a beautiful park, Nick Cave again showed that music connects, moves and generally makes life more enjoyable. Older songs like  From Her To Eternity and  Tupelo were more intense than ever before. The emotion in  I Need You and  Waiting For You  was palpable.  Into My Arms was beautiful with a quiet audience gently singing along to the song: heaven. But, naming favorites really sells the concert short. At 64, Nick Cave still has a hunger to reach out, touch and heal. What a night, together with my family, at a special place in my favorite city in the world. Unforgettable!

Get Ready For Love / There She Goes, My Beautiful World / From Her To Eternity / O Children / Jubilee Street / Bright Horses / I Need You / Waiting For You / Tupelo / Red Right Hand / The Mercy Seat / The Ship Song / Higgs Boson Blues / City Of Refuge / White Elephant

Encore: Into My Arms / Vortex / The Weeping Song / Ghosteen Speaks / Jack The Ripper

Concert ticket

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Tickets On Sale

Event information.

Nick Cave & The Bad Seeds announce their first UK and European tour since 2017, with 27 shows in 17 countries this autumn. The band is widely considered one of the best live bands in the world today and this tour is, without a doubt, one of the most anticipated of 2024.

The tour, which will begin on September 24 in Oberhausen (Germany) and end on November 17 in Paris (France), will also include 3 concerts on the peninsula: on October 24 at the Palau Sant Jordi in Barcelona. The tour will accompany the release of their eighteenth studio album, Wild God, which will be released on August 30. The new album was announced last week alongside the release of the title track.

"I never think about what a live album is going to be like, it never, ever occurs to me. The lyric writing process is too hard to consider ideas like that, but now that I'm listening to Wild God, I think we can do something." epic with these songs live. We are very excited about it: the album seems made for the stage" - Nick Cave

The band will perform songs from their upcoming studio album along with classics from their extensive catalogue. As opening acts they will have three special guests depending on each city: Dry Cleaning, The Murder Capital and Black Country, New Road.

The Wild God Tour Dates:

Tickets on sale Friday, March 22 at 10 a.m. (local time) at https://www.nickcave.com/tour-dates/

You can join the pre-sale here by selecting the tour city you want to attend to access the EXCLUSIVE Nick Cave & The Bad Seeds PRESALE. On March 21, starting at 10.00am CET for the dates in Spain, you will receive an email with access to the selected pre-sale that will last 24 hours, until March 22 at 10.00am CET.

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